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Cлово "BROTHER"

Часть текста: для его анализа и интерпретации) 1. Аверинцев С. С. Точка зрения "адвоката дьявола" // Искусство кино. 1994. №4. 2. Аверинцев С. С. "Великий инквизитор" с точки зрения advocatus diaboli // Аверинцев С. С. София - Логос: Словарь. Киев, 2001. 3. Альми ИЛ. О "составе" "поэмы" в романе Достоевского ("Братья Карамазовы") // Достоевский и современность. Новгород, 1988. С. 9-11. 4. Альми ИЛ. О художественно-идеологическом смысле главы "Черт. Кошмар Ивана Федоровича" // Достоевский и современность. Новгород, 1992. Ч. 2. С. 1-4. 5. Альми ИЛ. Об одной из глав романа "Братья Карамазовы" ("Черт. Кошмар Ивана Федоровича") // Достоевский и мировая культура. М., 1996. № 7. С. 4-17. То же // Альми ИЛ. Статьи о поэзии и прозе. Владимир, 1999. Кн. 2. С. 105-120. 6. Альми ИЛ. Роль стихотворной вставки в системе идеологического романа Достоевского // Альми И. Л. Статьи о поэзии и прозе. Владимир, 1999. Кн. 2. С. 170-188. 7. Альми ИЛ. Поэтика образов праведников в поздних романах Достоевского: (Пафос умиления и характер его воплощения в фигурах странника Макара и старца Зосимы) // Достоевский: Материалы и исследования. СПб., 2000. Т. 15. С. 264-272. То же // Альми И. Л. Статьи о поэзии и прозе. Владимир, 1999. Кн. 2. С. 121-131. 8. Артемьева СВ. Случаи...

2. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part I. Book II. An Unfortunate Gathering. Chapter 7. A Young Man Bent on a Career

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Часть текста: his bed. It was a little room furnished with the bare necessities. There was a narrow iron bedstead, with a strip of felt for a mattress. In the corner, under the ikons, was a reading-desk with a cross and the Gospel lying on it. The elder sank exhausted on the bed. His eyes glittered and he breathed hard. He looked intently at Alyosha, as though considering something. "Go, my dear boy, go. Porfiry is enough for me. Make haste, you are needed there, go and wait at the Father Superior's table." "Let me stay here," Alyosha entreated. "You are more needed there. There is no peace there. You will wait, and be of service. If evil spirits rise up, repeat a prayer. And remember, my son" -- the elder liked to call him that -- "this is not the place for you in the future. When it is God's will to call me, leave the monastery. Go away for good." Alyosha started. "What is it? This is not your place for the time. I bless you for great service in the world. Yours will be a long pilgrimage. And you will have to take a wife, too. You will have to bear all before you come back. There will be much to do. But I don't doubt of you, and so I send you forth. Christ is with you. Do not abandon Him and He will not abandon you. You will see great sorrow, and in that sorrow you will be happy. This is my last message to you: in sorrow seek happiness. Work, work...

3. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part II. Book VI. The Russian Monk. Chapter 1. Father Zossima and His Visitors

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Часть текста: man at his last gasp, perhaps unconscious, as he had feared to find him, he saw him sitting up in his chair and, though weak and exhausted, his face was bright and cheerful, he was surrounded by visitors and engaged in a quiet and joyful conversation. But he had only got up from his bed a quarter of an hour before Alyosha's arrival; his visitors had gathered together in his cell earlier, waiting for him to wake, having received a most confident assurance from Father Paissy that "the teacher would get up, and as he had himself promised in the morning, converse once more with those dear to his heart." This promise and indeed every word of the dying elder Father Paissy put implicit trust in. If he had seen him unconscious, if he had seen him breathe his last, and yet had his promise that he would rise up and say good-bye to him, he would not have believed perhaps even in death, but would still have expected the dead man to recover and fulfil his promise. In the morning as he lay down to sleep, Father Zossima had told him positively: "I shall not die without the delight of another conversation with you, beloved of my heart. I shall look once more on your dear face and pour out my heart to you once again." The monks, who had gathered for this probably last conversation with Father Zossima, had all been his devoted friends for many years. There were four of them:...

4. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part two. Chapter Three

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Часть текста: it all seemed part of the same day. But of that- of that he had no recollection, and yet every minute he felt that he had forgotten something he ought to remember. He worried and tormented himself trying to remember, moaned, flew into a rage, or sank into awful, intolerable terror. Then he struggled to get up, would have run away, but some one always prevented him by force, and he sank back into impotence and forgetfulness. At last he returned to complete consciousness. It happened at ten o'clock in the morning. On fine days the sun shone into the room at that hour, throwing a streak of light on the right wall and the corner near the door. Nastasya was standing beside him with another person, a complete stranger, who was looking at him very inquisitively. He was a young man with a beard, wearing a full, short-waisted coat, and looked like a messenger. The landlady was peeping in at the half-opened door. Raskolnikov sat up. "Who is this, Nastasya?" he asked, pointing to the young man. "I say, he's himself again!" she said. "He is himself," echoed the man. Concluding that he had returned to his senses, the landlady closed the door and disappeared. She was always shy and dreaded conversations or discussions. She was a woman of forty, not at all bad-looking, fat and buxom, with black eyes and eyebrows, good-natured from fatness and laziness, and absurdly bashful. "Who... are you?" he went on, addressing the man. But at that moment the door was flung open, and, stooping a little, as he was so tall, Razumihin came in. "What a cabin...

5. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part three. Chapter One

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Часть текста: long since you arrived?" "This evening, Rodya," answered Pulcheria Alexandrovna, "the train was awfully late. But, Rodya, nothing would induce me to leave you now! I will spend the night here, near you..." "Don't torture me!" he said with a gesture of irritation. "I will stay with him," cried Razumihin, "I won't leave him for a moment. Bother all my visitors! Let them rage to their hearts' content! My uncle is presiding there." "How, how can I thank you!" Pulcheria Alexandrovna was beginning, once more pressing Razumihin's hands, but Raskolnikov interrupted her again. "I can't have it! I can't have it!" he repeated irritably, "don't worry me! Enough, go away... I can't stand it!" "Come, mamma, come out of the room at least for a minute," Dounia whispered in dismay; "we are distressing him, that's evident." "Mayn't I look at him after three years?" wept Pulcheria Alexandrovna. "Stay," he stopped them again, "you keep interrupting me, and my ideas get muddled.... Have you seen Luzhin?" "No, Rodya, but he knows already of our arrival. We have heard, Rodya, that Pyotr Petrovitch was so kind as to visit you today," Pulcheria Alexandrovna added somewhat timidly. "Yes... he was so kind... Dounia, I promised Luzhin I'd throw him downstairs and told him to go to hell...." "Rodya, what are you saying! Surely, you don't mean to tell us..." Pulcheria Alexandrovna began in alarm, but she stopped, looking at Dounia. Avdotya Romanovna was looking attentively at her brother, waiting for what would come next. Both of them had heard of the quarrel from Nastasya, so far as she had succeeded in understanding and reporting it, and were in painful perplexity and suspense. "Dounia," Raskolnikov continued with an effort, "I don't want that marriage, so at the...

6. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part IV. Book XII. A Judicial Error. Chapter 4.Fortune Smiles on Mitya

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Часть текста: Братья Карамазовы). Part IV. Book XII. A Judicial Error. Chapter 4.Fortune Smiles on Mitya Chapter 4 Fortune Smiles on Mitya IT came quite as a surprise even to Alyosha himself. He was not required to take the oath, and I remember that both sides addressed him very gently and sympathetically. It was evident that his reputation for goodness had preceded him. Alyosha gave his evidence modestly and with restraint, but his warm sympathy for his unhappy brother was unmistakable. In answer to one question, he sketched his brother's character as that of a man, violent-tempered perhaps and carried away by his passions, but at the same time honourable, proud and generous, capable of self-sacrifice, if necessary. He admitted, however, that, through his passion for Grushenka and his rivalry with his father, his brother had been of late in an intolerable position. But he repelled with indignation the suggestion that his brother might have committed a murder for the sake of gain, though he recognised that the three thousand roubles had become almost an obsession with Mitya; that upon them as part of the inheritance he had been cheated of by his father, and that, indifferent as he was to money as a rule, he could not even speak of that three thousand without fury. As for the rivalry of the two "ladies," as the prosecutor expressed it -- that is, of Grushenka and Katya -- he answered evasively and was even unwilling to answer one or two questions altogether. "Did your brother tell you, anyway, ...

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Часть текста: заключенный в самом названии и, таким образом, намекающий на два тесно взаимосвязанных вопроса, отзывающихся настойчиво - пусть и по-разному - во многих томах Священного Писания: что значит братство? и - какие же обязанности оно на нас налагает? 2 Это, в конечном счете, вопросы нравственные, и автору, конечно, нет нужды облекать поиск ответа на них непосредственно в библейскую форму. В "Братьях Карамазовых", однако, Достоевский избирает, в значительной степени, именно этот путь. И сущность его рассуждений о братстве, и используемый язык, которым он славит признание и восстановление братства, покоятся на библейских прецедентах. Данная статья будет рассматривать природу нравственных дилемм, формулируемых Достоевским, и особые повествовательные стратегии, которые он использует при подходе к ним 3 . Первое, что следует выяснить, это - кто братья в романе и как они взаимодействуют друг с другом. Достоевский первоначально подтасовывает карты в пользу довольно обыденного прочтения братства. В книге первой он называет главы: "Первого сына спровадил", "Второй брак и вторые дети", "Третий сын Алёша", казалось бы, соглашаясь с повествователем, что в наличии имеются три брата. Он добавляет главу, названную "Старцы", для полноты картины, давая нам понять, что монахи - тоже братья. По мере продвижения романа, однако, становится все яснее, что то, что мы столь легко определили, неверно. Три брата, открыто названные таковыми, входят в тесную вязь отношений с другими персонажами, которые, так или иначе, предъявляют и свои права на братство. Соответственно, развивая и свое собственное...

8. Ольга Меерсон (США). Четвёртый брат или козёл отпущения ex machina?

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Часть текста: работа имеет в своей основе выводы из микроанализа текста, проделанного в моей книге, написанной и опубликованной по-английски в 1998 г. 1 Однако теперь меня интересует философский аспект этих выводов. Каковы субъектно-объект-ные отношения: а) между героями в романе (персоналистский аспект Бахтина), б) между автором и героями, в) между автором и героями, с одной стороны, и читателем - с другой (эти два аспекта отражены во взглядах Бахтина на полифонизм Достоевского), но главное - г) между ситуацией диалога "автор-читатель" и ситуацией "герой/рассказчик-читатель". До какой степени наша, читательская, способность увидеть или не увидеть личность в другом (будьто герой, рассказчик или реальный автор) сказывается на сохранении или потере нами, читателями, собственной личностности. Это вопрос о философской функции художественного произведения как такового и о нашем праве рассматривать её при анализе поэтики, в частности же - что нам даёт в понимании этого вопроса поэтика романа "Братья Карамазовы"? Я попытаюсь показать, что философская функция в "Братьях Карамазовых" вытекает из самой поэтики этого произведения, в самом что ни на есть её техническом смысле. В таком случае важно учитывать и теоретический постулат: если правомочно делать философские выводы из структуры и формальных приёмов произведения, то их...

9. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part II. Book V. Pro and Contra. Chapter 3.The Brothers Make Friends

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Часть текста: unseen by other people in the room. It was the first room from the entrance with a buffet along the wall. Waiters were continually darting to and fro in it. The only customer in the room was an old retired military man drinking tea in a corner. But there was the usual bustle going on in the other rooms of the tavern; there were shouts for the waiters, the sound of popping corks, the click of billiard balls, the drone of the organ. Alyosha knew that Ivan did not usually visit this tavern and disliked taverns in general. So he must have come here, he reflected, simply to meet Dmitri by arrangement. Yet Dmitri was not there. "Shall I order you fish, soup, or anything. You don't live on tea alone, I suppose," cried Ivan, apparently delighted at having got hold of Alyosha. He had finished dinner and was drinking tea. "Let me have soup, and tea afterwards, I am hungry," said Alyosha gaily. "And cherry jam? They have it here. You remember how you used to love cherry jam when you were little?" "You remember that? Let me have jam too, I like it still." Ivan rang for the waiter and ordered soup, jam, and tea....

10. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part II. Book V. Pro and Contra. Chapter 2.Smerdyakov with a Guitar

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Часть текста: It was getting late, nearly three o'clock. Alyosha's whole soul turned to the monastery, to his dying saint, but the necessity of seeing Dmitri outweighed everything. The conviction that a great inevitable catastrophe was about to happen grew stronger in Alyosha's mind with every hour. What that catastrophe was, and what he would say at that moment to his brother, he could perhaps not have said definitely. "Even if my benefactor must die without me, anyway I won't have to reproach myself all my life with the thought that I might have saved something and did not, but passed by and hastened home. If I do as I intend, I shall be following his great precept." His plan was to catch his brother Dmitri unawares, to climb over the fence, as he had the day before, get into the garden and sit in the summer-house. If Dmitri were not there, thought Alyosha, he would not announce himself to Foma or the women of the house, but would remain hidden in the summer-house, even if he had to wait there till evening. If, as before, Dmitri were lying in wait for Grushenka to come, he would be very likely to come to the summer-house. Alyosha did not, however, give much thought to the details of his plan, but resolved to act upon it, even if it meant not getting back to the monastery that day. Everything happened without hindrance, he climbed over the hurdle almost in the same spot as the day before, and stole into the summer-house unseen. He did not want to be noticed. The woman of the house and Foma too, if he were here, might be loyal to his brother and obey his instructions, and so refuse to let Alyosha come into the garden, or might warn Dmitri that he was being sought and inquired for. There was no one in the summer-house. Alyosha sat down and began to wait. He looked round the summer-house, which somehow ...

Поиск по творчеству и критикеCлово "BROTHER"

Поиск по творчеству и критике
Cлово "BROTHER"