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Cлово "DOING"

Часть текста: vanity. He dropped it all in a vague and rambling way, like a man free from guile driven by his sense of honour to the painful necessity of clearing up a perfect mountain of misunderstandings, and so simple-hearted that he hardly knew where to begin and where to leave off. He let slip in a rather unguarded way, too, that Yulia Mihailovna knew the whole secret of Stavrogin and that she had been at the bottom of the whole intrigue. She had taken him in too, for he, Pyotr Stepanovitch, had also been in love with this unhappy Liza, yet he had been so hoodwinked that he had almost taken her to Stavrogin himself in the carriage. “Yes, yes, it's all very well for you to laugh, gentlemen, but if only I'd known, if I'd known how it would end!” he concluded. To various excited inquiries about Stavrogin he bluntly replied that in his opinion the catastrophe to the Lebyadkins was a pure coincidence, and that it was all Lebyadkin's own fault for displaying his money. He explained this particularly well. One of his listeners observed that it was no good his “pretending"; that he had eaten and drunk and almost slept at Yulia Mihailovna's, yet now he was the first to blacken her character, and that this was by no means such a fine thing to do as he supposed. But Pyotr Stepanovitch immediately defended himself. “I ate and drank there not because I had no money, and it's not my...

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Часть текста: polish of courtesy and society manners I did acquire together with the French language. But we all, myself included, looked upon the soldiers in our service as cattle. I was perhaps worse than the rest in that respect, for I was so much more impressionable than my companions. By the time we left the school as officers, we were ready to lay down our lives for the honour of the regiment, but no one of us had any knowledge of the real meaning of honour, and if anyone had known it, he would have been the first to ridicule it. Drunkenness, debauchery and devilry were what we almost prided ourselves on. I don't say that we were bad by nature, all these young men were good fellows, but they behaved badly, and I worst of all. What made it worse for me was that I had come into my own money, and so I flung myself into a life of pleasure, and plunged headlong into all the recklessness of youth. I was fond of reading, yet strange to say, the Bible was the one book I never opened at that time, though I always carried it about with me, and I was never separated from it; in very truth I was keeping that book "for the day and the hour, for the month and the year," though I knew it not. After four years of this life, I chanced to be in the town of K. where our regiment was stationed at the time. We found the people of the town hospitable, rich, and fond of entertainments. I met with a...

3. Dostoevsky. The Possessed (English. Бесы). Part I. Chapter V. The subtle serpent

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Часть текста: an easy chair by the window. “Sit here, my dear.” She motioned Marya Timofyevna to a seat in the middle of the room, by a large round table. “Stepan Trofimovitch, what is the meaning of this? See, see, look at this woman, what is the meaning of it?” “I... I...” faltered Stepan Trofimovitch. But a footman came in. “A cup of coffee at once, we must have it as quickly as possible! Keep the horses!” “ Mais, chere et excellente amie, dans quelle inquietude. . .” Stepan Trofimovitch exclaimed in a dying voice. “Ach! French! French! I can see at once that it's the highest society,” cried Marya Timofyevna, clapping her hands, ecstatically preparing herself to listen to a conversation in French. Varvara Petrovna stared at her almost in dismay. We all sat in silence, waiting to see how it would end. Shatov did not lift up his head, and Stepan Trofimovitch was overwhelmed with confusion as though it were all his fault; the perspiration stood out on his temples. I glanced at Liza (she was sitting in the corner almost beside Shatov). Her eyes darted keenly from Varvara Petrovna to the cripple and back again; her lips were drawn into a smile, but not a pleasant one. Varvara Petrovna saw that smile. Meanwhile Marya Timofyevna was...

4. Dostoevsky. The Possessed (English. Бесы). Part III. Chapter V. A wanderer

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Часть текста: towards the end of the day there was a perfect tempest in his soul, and. . . I think I can say with certainty that there was a moment at dusk when he wanted to get up, go out and tell everything. What that everything was, no one but he could say. Of course he would have achieved nothing, and would have simply betrayed himself. He had no proofs whatever with which to convict the perpetrators of the crime, and, indeed, he had nothing but vague conjectures to go upon, though to him they amounted to complete certainty. But he was ready to ruin himself if he could only “crush the scoundrels”—his own words. Pyotr Stepanovitch had guessed fairly correctly at this impulse in him, and he knew himself that he was risking a great deal in putting off the execution of his new awful project till next day. On his side there was, as usual, great self-confidence and contempt for all these “wretched creatures” and for Shatov in particular. He had for years despised Shatov for his “whining idiocy,” as he had expressed it in former days abroad, and he was absolutely confident that he could deal with such a guileless creature, that is, keep an eye on him all that day, and put a check on him at the first sign of danger. Yet what saved “the scoundrels” for a short time was something quite unexpected which they had not foreseen. . . . Towards eight o'clock in the evening (at the very time when the quintet was meeting at Erkel's, and waiting in indignation and excitement for Pyotr Stepanovitch) Shatov was lying in the dark on his bed with a headache and a slight chill; he was tortured by uncertainty, he was angry, he...

5. Dostoevsky. Poor Folk (English. Бедные люди). Page 3

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Часть текста: and feel hurt at these things; my heart seemed to be over-charged, and to be calling for tears to relieve it. But why should I write this to you? It is difficult for my heart to express itself; still more difficult for it to forego self- expression. Yet possibly you may understand me. Tears and laughter! . . . How good you are, Makar Alexievitch! Yesterday you looked into my eyes as though you could read in them all that I was feeling--as though you were rejoicing at my happiness. Whether it were a group of shrubs or an alleyway or a vista of water that we were passing, you would halt before me, and stand gazing at my face as though you were showing me possessions of your own. It told me how kind is your nature, and I love you for it. Today I am again unwell, for yesterday I wetted my feet, and took a chill. Thedora also is unwell; both of us are ailing. Do not forget me. Come and see me as often as you can. --Your own, BARBARA ALEXIEVNA. June 12th. MY DEAREST BARBARA ALEXIEVNA--I had supposed that you meant to describe our doings of the other day in verse; yet from you there has arrived only a single sheet of writing. Nevertheless, I must say that, little though you have put into your letter, that little is not expressed with rare beauty and grace. Nature, your descriptions of rural scenes, your analysis of your own feelings- -the whole is beautifully written. Alas, I have no such talent! Though I may fill a score of pages, nothing comes of it-- I might as well never have put pen to paper. Yes, this I know from experience. You say, my darling, that I am kind and good, that I could not harm my fellow-men, that I have power to comprehend the goodness of God (as expressed in nature's handiwork), and so on. It may all be so, my dearest one--it may all be exactly as you say....

6. Dostoevsky. The Possessed (English. Бесы). Part III. Chapter II. The end of the fete

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Часть текста: whole thing. For God's sake, no epigrams, Stepan Trofimovitch! Open the door. We must take steps; they may still come and insult you. . . .” I thought myself entitled to be particularly severe and even rigorous. I was afraid he might be going to do something still more mad. But to my surprise I met an extraordinary firmness. “Don't be the first to insult me then. I thank you for the past, but I repeat I've done with all men, good and bad. I am writing to Darya Pavlovna, whom I've forgotten so unpardonably till now. You may take it to her to-morrow, if you like, now merci.” “Stepan Trofimovitch, I assure you that the matter is more serious than you think. Do you think that you've crushed some one there? You've pulverised no one, but have broken yourself to pieces like an empty bottle.” (Oh, I was coarse and discourteous;. I remember it with regret.) “You've absolutely no reason to write to Darya Pavlovna. . . and what will you do with yourself without me? What do you understand about practical life? I expect you are plotting something else? You'll simply come to grief again if you go plotting something more. . . .” He rose and came close up to...

7. Dostoevsky. Poor Folk (English. Бедные люди). Page 4

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Часть текста: willy-nilly, to the theatre, though I held myself decently aloof from their doings, and only assisted them for company's sake. How those fellows talked to me of this actress! Every night when the theatre was open, the entire band of them (they always seemed to possess the requisite money) would betake themselves to that place of entertainment, where they ascended to the gallery, and clapped their hands, and repeatedly recalled the actress in question. In fact, they went simply mad over her. Even after we had returned home they would give me no rest, but would go on talking about her all night, and calling her their Glasha, and declaring themselves to be in love with "the canary-bird of their hearts." My defenseless self, too, they would plague about the woman, for I was as young as they. What a figure I must have cut with them on the fourth tier of the gallery! Yet, I never got a sight of more than just a corner of the curtain, but had to content myself with listening. She had a fine, resounding, mellow voice like a nightingale's, and we all of us used to clap our hands loudly, and to shout at the top of our lungs. In short, we came very near to being ejected. On the first occasion I went...

8. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part five. Chapter Four

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Часть текста: of relief in a change of sensations, apart from the strong personal feeling which impelled him to defend Sonia. He was agitated too, especially at some moments, by the thought of his approaching interview with Sonia: he had to tell her who had killed Lizaveta. He knew the terrible suffering it would be to him and, as it were, brushed away the thought of it. So when he cried as he left Katerina Ivanovna's, "Well, Sofya Semyonovna, we shall see what you'll say now!" he was still superficially excited, still vigorous and defiant from his triumph over Luzhin. But, strange to say, by the time he reached Sonia's lodging, he felt a sudden impotence and fear. He stood still in hesitation at the door, asking himself the strange question: "Must I tell her who killed Lizaveta?" It was a strange question because he felt at the very time not only that he could not help telling her, but also that he could not put off the telling. He did not yet know why it must be so, he only felt it, and the agonising sense of his impotence before the inevitable almost crushed him. To cut short his hesitation and suffering, he quickly opened the door and looked at Sonia from the doorway. She was sitting with her elbows on the table and her face in her hands, but seeing Raskolnikov she got up at once and came to meet him as though she were expecting him. "What would have become of me but for you!" she said quickly, meeting him in the middle of the room. Evidently she was in haste to say this to him. It was what she had been waiting for. Raskolnikov went to the table and sat down on the chair from which she had only just risen. She stood facing...

9. Dostoevsky. The Insulted and Injured (English. Униженные и оскорбленные). Part I. Chapter VIII

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Часть текста: "I'm stifling," she whispered. "My heart grips me. . . . I'm stifling." "Come back, Natasha," I cried in alarm. "Surely you must have seen, Vanya, that I've gone away for ever, left them for ever, and shall never go back," she said, looking at me with inexpressible anguish. My heart sank. I had foreseen all this on my way to them. I had seen it all as it were in a mist, long before that day perhaps, yet now her words fell upon me like a thunderbolt. We walked miserably along the embankment. I could not speak. I was reflecting, trying to think, and utterly at a loss. My heart was in a whirl. It seemed so hideous, so impossible! "You blame me, Vanya?" she said at last. "No... but... but I can't believe it; it cannot be!" I answered, not knowing what I was saying. "Yes, Vanya, it really is so! I have gone away from them and I don't know what will become of them or what will become of me!" "You're going to him, Natasha? Yes?" "Yes," she answered. "But that's impossible!" I cried frantically. "Don't you understand that it's impossible, Natasha, my poor girl! Why, it's madness. Why you'll kill them, and ruin yourself! Do you understand that, Natasha?" "I know; but what am I to do? I can't help it," she said and her voice was as full of anguish as though she were facing the scaffold. "Come back, come back, before it's too late," I besought her; and...

10. Dostoevsky. A Raw Youth (English. Подросток). Part I. Chapter VI

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Часть текста: I. Chapter VI CHAPTER VI 1 My hopes were not fully realized. I did not find them alone though Versilov was not at home, Tatyana Pavlovna was sitting with my mother, and she was, after all, not one of the family. Fully half of my magnanimous feelings disappeared instantly. It is wonderful how hasty and changeable I am; in such cases a straw, a grain of sand is enough to dissipate my good mood and replace it by a bad one. My bad impressions, I regret to say, are not so quickly dispelled, though I am not resentful. . . . When I went in, I had a feeling that my mother immediately and hastily broke off what she was saying to Tatyana Pavlovna; I fancied they were talking very eagerly. My sister turned from her work only for a moment to look at me and did not come out of her little alcove again. The flat consisted of three rooms. The room in which we usually sat, the middle room or drawing-room, was fairly large and almost presentable. In it were soft, red armchairs and a sofa, very much the worse for wear, however (Versilov could not endure covers on furniture); there were rugs of a sort and several tables, including some useless little ones. On the right was Versilov's room, cramped and narrow with one window; it was furnished with a wretched-looking writing-table covered with unused books and crumpled papers, and an equally wretched-looking easy chair with a broken spring that stuck up in one corner and often made Versilov groan and swear. On an equally threadbare sofa in this room he used to sleep. He hated this study of his, and I believe he never did anything in it; he preferred sitting idle for hours together in the drawing-room. On the left of the drawing-room there was another room of the same sort in which my mother and sister slept. The drawing-room was entered from the passage...

Поиск по творчеству и критикеCлово "DOING"

Поиск по творчеству и критике
Cлово "DOING"