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Часть текста: ago," he continued, addressing himself to Antip Burdovsky, "I put your business into Gavrila Ardalionovitch Ivolgin's hands, as I told you then. I do not in the least object to having a personal interview... but you will agree with me that this is hardly the time... I propose that we go into another room, if you will not keep me long... As you see, I have friends here, and believe me..." "Friends as many as you please, but allow me," interrupted the harsh voice of Lebedeff's nephew--" allow me to tell you that you might have treated us rather more politely, and not have kept us waiting at least two hours... "No doubt... and I... is that acting like a prince? And you... you may be a general! But I... I am not your valet! And I... I..." stammered Antip Burdovsky. He was extremely excited; his lips trembled, and the resentment of an embittered soul was in his voice. But he spoke so indistinctly that hardly a dozen words could be gathered. "It was a princely action!" sneered Hippolyte. "If anyone had treated me so," grumbled the boxer. "I mean to say that if I had been in...

2. Dostoevsky. The Idiot (English. Идиот). Part I. Chapter VII

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Часть текста: I am a child, and know it. I knew it long before you said so; you have expressed my own thoughts. I think your nature and mine must be extremely alike, and I am very glad of it. We are like two drops of water, only you are a man and I a woman, and I've not been to Switzerland, and that is all the difference between us." "Don't be in a hurry, mother; the prince says that he has some motive behind his simplicity," cried Aglaya. "Yes, yes, so he does," laughed the others. "Oh, don't you begin bantering him," said mamma. "He is probably a good deal cleverer than all three of you girls put together. We shall see. Only you haven't told us anything about Aglaya yet, prince; and Aglaya and I are both waiting to hear." "I cannot say anything at present. I'll tell you afterwards." "Why? Her face is clear enough, isn't it?" "Oh yes, of course. You are very beautiful, Aglaya Ivanovna, so beautiful that one is afraid to look at you." "Is that all? What about her character?" persisted Mrs. Epanchin. "It is difficult to judge when such beauty is concerned. I have not prepared my judgment. Beauty is a riddle." "That means that you have set Aglaya a riddle!" said Adelaida. "Guess it, Aglaya! But she's pretty, prince, isn't she?" "Most wonderfully so," said the latter, warmly, gazing at Aglaya with admiration. "Almost as lovely as Nastasia Philipovna, but quite a different type." All present exchanged looks of...

3. Dostoevsky. The Idiot (English. Идиот). Part III. Chapter II

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Часть текста: likely, and you must be a very close observer to detect the fact that perhaps I did not intend to come up to YOU at all." So saying he smiled strangely; but suddenly and excitedly he began again: "Don't remind me of what I have done or said. Don't! I am very much ashamed of myself, I--" "Why, what have you done? I don't understand you." "I see you are ashamed of me, Evgenie Pavlovitch; you are blushing for me; that's a sign of a good heart. Don't be afraid; I shall go away directly." "What's the matter with him? Do his fits begin like that?" said Lizabetha Prokofievna, in a high state of alarm, addressing Colia. "No, no, Lizabetha Prokofievna, take no notice of me. I am not going to have a fit. I will go away directly; but I know I am afflicted. I was twenty-four years an invalid, you see--the first twenty-four years of my life--so take all I do and say as the sayings and actions of an invalid. I'm going away directly, I really am--don't be afraid. I am not blushing, for I don't think I need...

4. Dostoevsky. The Idiot (English. Идиот). Part I. Chapter VI

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Часть текста: because the children could do nothing without me at last, and used to throng after me at all times. The schoolmaster was my greatest enemy in the end! I had many enemies, and all because of the children. Even Schneider reproached me. What were they afraid of? One can tell a child everything, anything. I have often been struck by the fact that parents know their children so little. They should not conceal so much from them. How well even little children understand that their parents conceal things from them, because they consider them too young to understand! Children are capable of giving advice in the most important matters. How can one deceive these dear little birds, when they look at one so sweetly and confidingly? I call them birds because there is nothing in the world better than birds! "However, most of the people were angry with me about one and the same thing; but Thibaut simply was jealous of me. At first he had wagged his head and wondered how it was that the children understood what I told them so well, and could not learn from him; and he laughed like anything when I replied that neither he nor I could teach them very much, but that THEY might teach us a good deal. "How he could hate me and tell scandalous stories about me, living among children as he did, is what I cannot understand. Children soothe and heal the wounded heart. I remember there was one poor fellow at our professor's who was being treated for madness, and you have no idea what those children did for him, eventually. I don't think he was mad, but only terribly unhappy. But I'll tell you all about him another...

5. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part five. Chapter Three

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Часть текста: standing where she was, as though thunderstruck. She could not understand how Pyotr Petrovitch could deny having enjoyed her father's hospitility. Though she had invented it herself, she believed in it firmly by this time. She was struck too by the businesslike, dry and even contemptuously menacing tone of Pyotr Petrovitch. All the clamour gradually died away at his entrance. Not only was this "serious business man" strikingly incongruous with the rest of the party, but it was evident, too, that he had come upon some matter of consequence, that some exceptional cause must have brought him and that therefore something was going to happen. Raskolnikov, standing beside Sonia, moved aside to let him pass; Pyotr Petrovitch did not seem to notice him. A minute later Lebeziatnikov, too, appeared in the doorway; he did not come in, but stood still, listening with marked interest, almost wonder, and seemed for a time perplexed. "Excuse me for possibly interrupting you, but it's a matter of some importance," Pyotr Petrovitch observed, addressing the company generally. "I am glad indeed to find other persons present. Amalia Ivanovna, I humbly beg you as mistress of the house to pay careful attention to what I have to say to Sofya Ivanovna. Sofya Ivanovna," he went on, addressing Sonia, who was very much surprised and already alarmed, "immediately after your visit I found that a hundred-rouble note was missing from my table, in the room of my friend Mr. Lebeziatnikov. If in any way whatever you know and will tell us where it is now, I assure you on my...

6. Dostoevsky. The Idiot (English. Идиот). Part II. Chapter XII

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Часть текста: I was." "Oh, very well, let's sit down, at all events, for I don't intend to stand up all day. And remember, if you say, one word about 'mischievous urchins,' I shall go away and break with you altogether. Now then, did you, or did you not, send a letter to Aglaya, a couple of months or so ago, about Easter-tide?" "Yes!" "What for? What was your object? Show me the letter." Mrs. Epanchin's eyes flashed; she was almost trembling with impatience. "I have not got the letter," said the prince, timidly, extremely surprised at the turn the conversation had taken. "If anyone has it, if it still exists, Aglaya Ivanovna must have it." "No finessing, please. What did you write about?" "I am not finessing, and I am not in the least afraid of telling you; but I don't see the slightest reason why I should not have written." "Be quiet, you can talk afterwards! What was the letter about? Why are you blushing?" The prince was silent. At last he spoke. "I don't understand your thoughts, Lizabetha Prokofievna; but I can see that the fact of my having written is for some reason repugnant to you. You must admit that I have a perfect right to refuse to answer your questions; but, in order to show you that I am neither ashamed of the letter, nor sorry that I wrote it, and that I am not in the least inclined to blush about it "(here the ...

7. Dostoevsky. The Idiot (English. Идиот). Part IV. Chapter VII

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Часть текста: or other--suddenly this gentleman pronounced the name of "Nicolai Andreevitch Pavlicheff" aloud. The prince quickly turned towards him, and listened. The conversation had been on the subject of land, and the present disorders, and there must have been something amusing said, for the old man had begun to laugh at his companion's heated expressions. The latter was describing in eloquent words how, in consequence of recent legislation, he was obliged to sell a beautiful estate in the N. province, not because he wanted ready money--in fact, he was obliged to sell it at half its value. "To avoid another lawsuit about the Pavlicheff estate, I ran away," he said. "With a few more inheritances of that kind I should soon be ruined!" At this point General Epanchin, noticing how interested Muishkin had become in the conversation, said to him, in a low tone: "That gentleman--Ivan Petrovitch--is a relation of your late friend, Mr. Pavlicheff. You wanted to find some of his relations, did you not?" The general, who had been talking to his chief up to this moment, had observed the prince's solitude and silence, and was anxious to draw him into the conversation, and so introduce him again to the...

8. Dostoevsky. The Idiot (English. Идиот). Part IV. Chapter IX

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Часть текста: the progress of the events remaining to be recorded. During the next fortnight--that is, through the early part of July--the history of our hero was circulated in the form of strange, diverting, most unlikely-sounding stories, which passed from mouth to mouth, through the streets and villas adjoining those inhabited by Lebedeff, Ptitsin, Nastasia Philipovna and the Epanchins; in fact, pretty well through the whole town and its environs. All society--both the inhabitants of the place and those who came down of an evening for the music--had got hold of one and the same story, in a thousand varieties of detail--as to how a certain young prince had raised a terrible scandal in a most respectable household, had thrown over a daughter of the family, to whom he was engaged, and had been captured by a woman of shady reputation whom he was determined to marry at once-- breaking off all old ties for the satisfaction of his insane idea; and, in spite of the public indignation roused by his action, the marriage was to take place in Pavlofsk openly and publicly, and the prince had announced his intention of going through with it with head erect and looking the whole world in the face. The story was so artfully adorned with scandalous details, and persons of so great eminence and importance were apparently mixed up in it, while, at the same time, the evidence was so circumstantial, that it was no wonder the matter gave food for plenty of curiosity and gossip. According to the reports of the most talented gossip-mongers-- those who, in every class of society, are always in haste to explain every event to their neighbours--the young gentleman concerned was of good family--a prince--fairly rich--weak of intellect, but a democrat and a dabbler in...

9. Достоевский на французской сцене - обзор Н. Л. Сухачева

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Часть текста: но и "круги", "приспособления" <...> Иногда,-- как у Достоевского,-- они стали избиты, истрепаны театрами; тогда надо заменить их другими, не выходя из "внутренних образов", определенно данных романистом" 1 . Это замечание во многом снимает ту скрытую полемику с "иллюстративным" 2 подходом к тексту, которую уже в следующем, 1911 г., открыл Жак Копо французской постановкой романа. "Братья Карамазовы" в "Театре искусств" (премьера 6 апреля) в инсценировке Жака Копо и Жана Круэ сыграли в истории "театра Достоевского" во Франции не меньшую роль, чем постановки Художественного театра в России. Спектакль неоднократно возобновлялся самим Копо, в марте 1913 г. и в ноябре 1921 г. в театре "Старая голубятня" и в 1917 г. на сцене театра "Гаррик" (США). Сценарий был использован также Альбером Камю в 1937 г. в театре "Экип" (Алжир) и Андре Барсаком в "Ателье" в 1945 г. -- будущими инсценировщиками романов "Бесы" и "Идиот". В 1967 г. инсценировка Копо была поставлена "Театром Сары Бернар". В той же драматической версии роман шел в Бельгии, Голландии, Англии, Германии, Австрии, Италии, Чехословакии. И дело не только в количестве реприз, но и в том авторитете, которым пользовался Копо как режиссер и театральный деятель. Камю писал: "В истории французского театра два периода -- до Копо и после Копо" 3 . Все французские инсценировщики в большей или меньшей степени следовали принципам Копо в переводе Достоевского на язык сцены, при всем разнообразии режиссерского решения спектаклей, трактовки образов, исполнительского...

10. Dostoevsky. The Idiot (English. Идиот). Part I. Chapter V

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Часть текста: and wore a very curious expression at times. She believed them to be most effective--a belief that nothing could alter. "What, receive him! Now, at once?" asked Mrs. Epanchin, gazing vaguely at her husband as he stood fidgeting before her. "Oh, dear me, I assure you there is no need to stand on ceremony with him," the general explained hastily. "He is quite a child, not to say a pathetic-looking creature. He has fits of some sort, and has just arrived from Switzerland, straight from the station, dressed like a German and without a farthing in his pocket. I gave him twenty-five roubles to go on with, and am going to find him some easy place in one of the government offices. I should like you to ply him well with the victuals, my dears, for I should think he must be very hungry." "You astonish me," said the lady, gazing as before. "Fits, and hungry too! What sort of fits?" "Oh, they don't come on frequently, besides, he's a regular child, though he seems to be fairly educated. I should like you, if possible, my dears," the general added, making slowly for the door, "to put him through his paces a bit, and see what he is good for. I think you should be kind to him; it is a good deed, you know--however, just as you like, of course--but he is a sort of relation, remember, and I thought it might interest you to see the young fellow, seeing that this is so." "Oh, of course, mamma, ...

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