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Часть текста: sluggards, gluttons, profligates, and insolent beggars among monks. Educated people point to these: "You are idlers, useless members of society, you live on the labour of others, you are shameless beggars." And yet how many meek and humble monks there are, yearning for solitude and fervent prayer in peace! These are less noticed, or passed over in silence. And how suprised men would be if I were to say that from these meek monks, who yearn for solitary prayer, the salvation of Russia will come perhaps once more! For they are in truth made ready in peace and quiet "for the day and the hour, the month and the year." Meanwhile, in their solitude, they keep the image of Christ fair and undefiled, in the purity of God's truth, from the times of the Fathers of old, the Apostles and the martyrs. And when the time comes they will show it to the tottering creeds of the world. That is a great thought. That star will rise out of the East. That is my view of the monk, and is it false? Is it too proud? Look at the worldly and all who set themselves up above the people of God; has not God's image and His truth been distorted in them? They have science; but in science there is nothing but what is the object of sense. The spiritual world, the higher part of man's being is rejected altogether, dismissed with a sort of triumph, even with hatred. The world has...

2. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part I. Book I. The History of a Family. Chapter 4. The Third Son, Alyosha

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Часть текста: twenty-seven. First of all, I must explain that this young man, Alyosha, was not a fanatic, and, in my opinion at least, was not even a mystic. I may as well give my full opinion from the beginning. He was simply an early lover of humanity, and that he adopted the monastic life was simply because at that time it struck him, so to say, as the ideal escape for his soul struggling from the darkness of worldly wickedness to the light of love. And the reason this life struck him in this way was that he found in it at that time, as he thought an extrordinary being, our celebrated elder, Zossima, to whom he became attached with all the warm first love of his ardent heart. But I do not dispute that he was very strange even at that time, and had been so indeed from his cradle. I have mentioned already, by the way, that though he lost his mother in his fourth year he remembered her all his life her face, her caresses, "as though she stood living before me." Such memories may persist, as everyone knows, from an even earlier age, even from two years old, but scarcely standing out through a whole lifetime like spots of light out of darkness, like a corner torn out of a huge picture, which has all faded and disappeared except that fragment. That is how it was with him. He remembered one still summer evening, an open window, the slanting rays of the setting sun (that he recalled most vividly of all); in a corner of the room the holy image, before it a lighted lamp, and on her knees before the image his mother, sobbing hysterically with cries and moans, snatching him up in both arms, squeezing him close till it hurt, and praying for him to the Mother of God, holding him out in both arms to the image as though to put...

3. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part six. Chapter Six

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Часть текста: standing round it. A chorus of wretched singers and a drunken, but exceedingly depressed German clown from Munich with a red nose entertained the public. The clerks quarreled with some other clerks and a fight seemed imminent. Svidrigailov was chosen to decide the dispute. He listened to them for a quarter of an hour, but they shouted so loud that there was no possibility of understanding them. The only fact that seemed certain was that one of them had stolen something and had even succeeded in selling it on the spot to a Jew, but would not share the spoil with his companion. Finally it appeared that the stolen object was a teaspoon belonging to the Vauxhall. It was missed and the affair began to seem troublesome. Svidrigailov paid for the spoon, got up, and walked out of the garden. It was about six o'clock. He had not drunk a drop of wine all this time and had ordered tea more for the sake of appearances than anything. It was a dark and stifling evening. Threatening storm-clouds came over the sky about ten o'clock. There was a clap of thunder, and the rain came down like a waterfall. The water fell not in drops, but beat on the earth in streams. There were flashes of lightning every...

4. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part IV. Book XI. Ivan. Chapter 4. A Hymn and a Secret

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Часть текста: else. At first, of course, on the conclusion of the preliminary inquiry, relations and a few other persons could only obtain interviews with Mitya by going through certain inevitable formalities. But later, though the formalities were not relaxed, exceptions were made for some, at least, of Mitya's visitors. So much so, that sometimes the interviews with the prisoner in the room set aside for the purpose were practically tete-a-tete. These exceptions, however, were few in number; only Grushenka, Alyosha and Rakitin were treated like this. But the captain of the police, Mihail Mihailovitch, was very favourably disposed to Grushenka. His abuse of her at Mokroe weighed on the old man's conscience, and when he learned the whole story, he completely changed his view of her. And strange to say, though he was firmly persuaded of his guilt, yet after Mitya was once in prison, the old man came to take a more and more lenient view of him. "He was a man of good heart, perhaps," he thought, "who had come to grief from drinking and dissipation." His first horror had been succeeded by pity. As ...

5. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part I. Book III. The Sensualists. Chapter 11. Another Reputation Ruined

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Часть текста: Ruined IT was not much more than three-quarters of a mile from the town to the monastery. Alyosha walked quickly along the road, at that hour deserted. It was almost night, and too dark to see anything clearly at thirty paces ahead. There were cross-roads half-way. A figure came into sight under a solitary willow at the cross-roads. As soon as Alyosha reached the cross-roads the figure moved out and rushed at him, shouting savagely: "Your money or your life!" "So it's you, Mitya," cried Alyosha, in surprise, violently startled however. "Ha ha ha! You didn't expect me? I wondered where to wait for you. By her house? There are three ways from it, and I might have missed you. At last I thought of waiting here, for you had to pass here, there's no other way to the monastery. Come, tell me the truth. Crush me like a beetle. But what's the matter?" "Nothing, brother -- it's the fright you gave me. Oh, Dmitri! Father's blood just now." (Alyosha began to cry, he had been on the verge of tears for a long time, and now something seemed to snap in his soul.) "You almost killed him -- cursed him -- and now -- here -- you're making jokes -- 'Your money or your life!'" "Well, what of that? It's not seemly -- is that it? Not suitable in my position?" "No -- I only-" "Stay. Look at the night. You see what a dark night, what clouds, what a wind has risen. I hid here under the willow waiting for you. And as God's above, I suddenly thought, why go on in misery any longer, what is there to wait for? Here I have a willow, a handkerchief, a shirt, I can twist them into a rope in a minute, and braces besides, and why go on burdening the earth, dishonouring it with my vile...

6. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part II. Book VI. The Russian Monk. Chapter 1. Father Zossima and His Visitors

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Часть текста: man at his last gasp, perhaps unconscious, as he had feared to find him, he saw him sitting up in his chair and, though weak and exhausted, his face was bright and cheerful, he was surrounded by visitors and engaged in a quiet and joyful conversation. But he had only got up from his bed a quarter of an hour before Alyosha's arrival; his visitors had gathered together in his cell earlier, waiting for him to wake, having received a most confident assurance from Father Paissy that "the teacher would get up, and as he had himself promised in the morning, converse once more with those dear to his heart." This promise and indeed every word of the dying elder Father Paissy put implicit trust in. If he had seen him unconscious, if he had seen him breathe his last, and yet had his promise that he would rise up and say good-bye to him, he would not have believed perhaps even in death, but would still have expected the dead man to recover and fulfil his promise. In the morning as he lay down to sleep, Father Zossima had told him positively: "I shall not die without the delight of another conversation with you, beloved of my heart. I shall look once more on...

7. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part one. Chapter Seven

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Часть текста: speak and stared with open eyes at him. "Good evening, Alyona Ivanovna," he began, trying to speak easily, but his voice would not obey him, it broke and shook. "I have come... I have brought something... but we'd better come in... to the light...." And leaving her, he passed straight into the room uninvited. The old woman ran after him; her tongue was unloosed. "Good heavens! What it is? Who is it? What do you want?" "Why, Alyona Ivanovna, you know me... Raskolnikov... here, I brought you the pledge I promised the other day..." and he held out the pledge. The old woman glanced for a moment at the pledge, but at once stared in the eyes of her uninvited visitor. She looked intently, maliciously and mistrustfully. A minute passed; he even fancied something like a sneer in her eyes, as though she had already guessed everything. He felt that he was losing his head, that he was almost frightened, so frightened that if she were to look like that and not say a word for another half minute, he thought he would have run away from her. "Why do you look at me as though you did not know me?" he said suddenly, also with malice. "Take it if you like, if not I'll go elsewhere, I am in a hurry." He had not even...

8. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part three. Chapter Six

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Часть текста: Bakaleyev's lodgings, where Pulcheria Alexandrovna and Dounia had been expecting them a long while. Razumihin kept stopping on the way in the heat of discussion, confused and excited by the very fact that they were for the first time speaking openly about it. "Don't believe it, then!" answered Raskolnikov, with a cold, careless smile. "You were noticing nothing as usual, but I was weighing every word." "You are suspicious. That is why you weighed their words... h'm... Certainly, I agree, Porfiry's tone was rather strange, and still more that wretch Zametov!... You are right, there was something about him- but why? Why?" "He has changed his mind since last night." "Quite the contrary! If they had that brainless idea, they would do their utmost to hide it, and conceal their cards, so as to catch you afterwards.... But it was all impudent and careless." "If they had had facts- I mean, real facts- or at least grounds for suspicion, then they would certainly have tried to hide their game, in the hope of getting more (they would have made a search long ago besides). But they have no facts, not one. It is all mirage- all ambiguous. Simply a floating idea. So they try to throw me out by impudence. And perhaps, he was irritated at having no facts, and blurted it out in his vexation- or perhaps he has some plan... He seems an intelligent man. Perhaps he wanted to frighten me by pretending to know. They have a psychology of their own, brother. But it is loathsome explaining it all. Stop!" "And it's insulting, insulting! I understand you. But... since we have spoken openly now (and it is an excellent thing that we have at last- I am glad) I will own now frankly that I noticed it in them long ago, this idea. Of course the merest hint only- an insinuation- but...

9. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part II. Book V. Pro and Contra. Chapter 5.The Grand Inquisitor

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Часть текста: in which the Madonna, the saints, the angels, Christ, and God Himself were brought on the stage. In those days it was done in all simplicity. In Victor Hugo's Notre Dame de Paris an edifying and gratuitous spectacle was provided for the people in the Hotel de Ville of Paris in the reign of Louis XI in honour of the birth of the dauphin. It was called Le bon jugement de la tres sainte et gracieuse Vierge Marie, and she appears herself on the stage and pronounces her bon jugement. Similar plays, chiefly from the Old Testament, were occasionally performed in Moscow too, up to the times of Peter the Great. But besides plays there were all sorts of legends and ballads scattered about the world, in which the saints and angels and all the powers of Heaven took part when required. In our monasteries the monks busied themselves in translating, copying, and even composing such poems -- and even under the Tatars. There is, for instance, one such poem (of course, from the Greek), The Wanderings of Our Lady through Hell, with descriptions as bold as Dante's. Our Lady visits hell, and the Archangel Michael leads her through the torments. She sees the sinners and their punishment. There she sees among others one noteworthy set of sinners in a burning lake; some of them sink to the bottom of the lake so that they can't swim out, and 'these God forgets' --...

10. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part four. Chapter Three

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Часть текста: sincerity and had, indeed, felt genuinely indignant at such "black ingratitude." And yet, when he made Dounia his offer, he was fully aware of the groundlessness of all the gossip. The story had been everywhere contradicted by Marfa Petrovna, and was by then disbelieved by all the townspeople, who were warm in Dounia'a defence. And he would not have denied that he knew all that at the time. Yet he still thought highly of his own resolution in lifting Dounia to his level and regarded it as something heroic. In speaking of it to Dounia, he had let out the secret feeling he cherished and admired, and he could not understand that others should fail to admire it too. He had called on Raskolnikov with the feelings of a benefactor who is about to reap the fruits of his good deeds and to hear agreeable flattery. And as he went downstairs now, he considered himself most undeservedly injured and unrecognised. Dounia was simply essential to him; to do without her was unthinkable. For many years he had voluptuous dreams of marriage, but he had gone on waiting and amassing money. He brooded with relish, in profound secret, over the image of a girl- virtuous, poor (she must be poor), very young, very pretty, of good birth and education, very timid, one who had suffered much, and was completely humbled before him, one who would all her life look on him as her saviour, worship him, admire him and only him. How many scenes, how many amorous episodes he had imagined on this seductive and playful theme, when his work was over! And, behold, the dream of so many years was all but realised; the beauty and education of Avdotya Romanovna had impressed him; her helpless position had been a great allurement; in her he had found even more than he dreamed of. Here was a girl of pride, character, virtue, of education and breeding superior to his own (he felt that), and this creature would be slavishly grateful all her life for his heroic condescension, and would...

Поиск по творчеству и критикеCлово "IMAGE"

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