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1. Библиография работ, посвященных роману "Братья Карамазовы" , за последние четыре десятилетия. Составитель Т. А. Касаткина
Входимость: 1. Размер: 114кб.
2. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part six. Chapter Six
Входимость: 1. Размер: 32кб.
3. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part III. Book VIII. Mitya. Chapter 2.Lyagavy
Входимость: 1. Размер: 18кб.
4. Dostoevsky. A Raw Youth (English. Подросток). Part I. Chapter V
Входимость: 1. Размер: 50кб.
5. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part III. Book VIII. Mitya. Chapter 8. Delirium
Входимость: 1. Размер: 34кб.

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1. Библиография работ, посвященных роману "Братья Карамазовы" , за последние четыре десятилетия. Составитель Т. А. Касаткина
Входимость: 1. Размер: 114кб.
Часть текста: те статьи и монографии, которые отчасти построены на материале романа "Братья Карамазовы", или, формально не являясь разборами романа, трактуют вопросы, принципиально важные для его анализа и интерпретации) 1.  Аверинцев С. С. Точка зрения "адвоката дьявола" // Искусство кино. 1994. №4. 2.  Аверинцев С. С. "Великий инквизитор" с точки зрения advocatus diaboli // Аверинцев С. С. София - Логос: Словарь. Киев, 2001. 3.  Альми ИЛ. О "составе" "поэмы" в романе Достоевского ("Братья Карамазовы") // Достоевский и современность. Новгород, 1988. С. 9-11. 4.  Альми ИЛ. О художественно-идеологическом смысле главы "Черт. Кошмар Ивана Федоровича" // Достоевский и современность. Новгород, 1992. Ч. 2. С. 1-4. 5.  Альми ИЛ. Об одной из глав романа "Братья Карамазовы" ("Черт. Кошмар Ивана Федоровича") // Достоевский и мировая культура. М., 1996. № 7. С. 4-17. То же // Альми ИЛ. Статьи о поэзии и прозе. Владимир, 1999. Кн. 2. С. 105-120. 6.   Альми ИЛ. Роль стихотворной вставки в системе...
2. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part six. Chapter Six
Входимость: 1. Размер: 32кб.
Часть текста: haunt to another. Katia too turned up and sang another gutter song, how a certain "villain and tyrant" "began kissing Katia." Svidrigailov treated Katia and the organ-grinder and some singers and the waiters and two little clerks. He was particularly drawn to these clerks by the fact that they both had crooked noses, one bent to the left and the other to the right. They took him finally to a pleasure garden, where he paid for their entrance. There was one lanky three-year-old pine tree and three bushes in the garden, besides a "Vauxhall," which was in reality a drinking-bar where tea too was served, and there were a few green tables and chairs standing round it. A chorus of wretched singers and a drunken, but exceedingly depressed German clown from Munich with a red nose entertained the public. The clerks quarreled with some other clerks and a fight seemed imminent. Svidrigailov was chosen to decide the dispute. He listened to them for a quarter of an hour, but they shouted so loud that there was no possibility of understanding them. The only fact that seemed certain was that one of them had stolen something and had even succeeded in selling it on the spot to a Jew, but would not share the spoil with his companion. Finally it appeared that the stolen object was a teaspoon belonging to the Vauxhall. It was missed and the affair began to seem troublesome. Svidrigailov paid for the spoon, got up, and walked out of the garden. It was about six o'clock. He had not drunk a drop of wine all this time and had ordered tea more for the sake of appearances than anything. It was a dark and stifling evening. Threatening storm-clouds...
3. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part III. Book VIII. Mitya. Chapter 2.Lyagavy
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Часть текста: long ceased to go. He snatched it up and carried it to a Jewish watch maker who had a shop in the market-place. The Jew gave him six roubles for it. "And I didn't expect that cried Mitya, ecstatically. (He was still in a state of ecstasy.) He seized his six roubles and ran home. At home he borrowed three roubles from the people of the house, who loved him so much that they were pleased to give it him, though it was all they had. Mitya in his excitement told them on the spot that his fate would be decided that day, and he described, in desperate haste, the whole scheme he had put before Samsonov, the latter's decision, his own hopes for the future, and so on. These people had been told many of their lodger's secrets before, and so looked upon him as a gentleman who was not at all proud, and almost one of themselves. Having thus collected nine roubles Mitya sent for posting-horses to take him to the Volovya station. This was how the fact came to be remembered and established that "at midday, on the day before the event, Mitya had not a farthing, and that he had sold his watch to get money and had borrowed three roubles from his landlord, all in the presence of witnesses." I note this fact, later on it will be apparent why I do so. Though he was radiant with the joyful anticipation that he would at last solve all his difficulties, yet, as he drew near Volovya station, he trembled at the thought of what Grushenka might be doing in his absence. What if she made up her mind to-day to go to Fyodor Pavlovitch? This was why he had...
4. Dostoevsky. A Raw Youth (English. Подросток). Part I. Chapter V
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Часть текста: V 1 My "idea" is--to become a Rothschild. I invite the reader to keep calm and not to excite himself. I repeat it. My "idea" is to become a Rothschild, to become as rich as Rothschild, not simply rich, but as rich as Rothschild. What objects I have in view, what for, and why--all that shall come later. First I will simply show that the attainment of my object is a mathematical certainty. It is a very simple matter; the whole secret lies in two words: OBSTINACY and PERSEVERANCE. "We have heard that; it's nothing new," people will tell me. Every "vater," in Germany repeats this to his children, and meanwhile your Rothschild (James Rothschild the Parisian, is the one I mean) is unique while there are millions of such "vaters." I should answer: "You assert that you've heard it, but you've heard nothing. It's true that you're right about one thing. When I said that this was 'very simple,' I forgot to add that it is most difficult. All the religions and the moralities of the world amount to one thing: 'Love virtue and avoid vice. ' One would think nothing could be simpler. But just try doing something virtuous and giving up any one of your vices; just try it. It's the same with this. "That's why your innumerable German 'vaters' may, for ages past reckoning, have repeated those two wonderful words which contain the whole secret, and, meanwhile, Rothschild remains unique. It shows it's the same but not the same, and these 'vaters' don't repeat the same idea. "No doubt they too have heard of obstinacy and perseverance, but to attain my object what I need is not these German 'vaters' ' obstinacy or these 'vaters' ' perseverance." "The mere fact that he is a 'vater'--I don't mean only the Germans--that he has a family, that ...
5. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part III. Book VIII. Mitya. Chapter 8. Delirium
Входимость: 1. Размер: 34кб.
Часть текста: feeling that his happiness was at hand. But Grushenka was continually sending him away from her. "Go and enjoy yourself. Tell them to dance, to make merry, 'let the stove and cottage dance'; as we had it last time," she kept exclaiming. She was tremendously excited. And Mitya hastened to obey her. The chorus were in the next room. The room in which they had been sitting till that moment was too small, and was divided in two by cotton curtains, behind which was a huge bed with a puffy feather mattress and a pyramid of cotton pillows. In the four rooms for visitors there were beds. Grushenka settled herself just at the door. Mitya set an easy chair for her. She had sat in the same place to watch the dancing and singing "the time before," when they had made merry there. All the girls who had come had been there then; the Jewish band with fiddles and zithers had come, too, and at last the long expected cart had arrived with the wines and provisions. Mitya bustled about. All sorts of people began coming into the room to look on, peasants and their women, who had been roused from sleep and attracted by the hopes of another marvellous entertainment such as they had enjoyed a month before. Mitya remembered their faces, greeting and embracing everyone he knew. He uncorked bottles and poured out wine for everyone who presented himself. Only...