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Часть текста: peeping into his face with a questioning and commiserating expression, which seemed to worry and even annoy the old man. He was obstinately silent, and she dared not be the first to speak. Our sudden arrival surprised them both. Anna Andreyevna, for some reason, took fright at once on seeing me with Nellie, and for the first minute looked at us as though she suddenly felt guilty. "You see, I've brought you my Nellie," I said, going in. She has made up her mind, and now she has come to you of her own accord. Receive her and love her. . . ." The old man looked at me suspiciously, and from his eyes alone one could divine that he knew all, that is that Natasha was now alone, deserted, abandoned, and by now perhaps insulted. He was very anxious to learn the meaning of our arrival, and he looked inquiringly at both of us. Nellie was trembling, and tightly squeezing my hand in hers she kept her eyes on the ground and only from time to time stole frightened glances about her like a little wild creature in a snare. But Anna Andreyevna soon recovered herself and grasped the situa- tion. She...

2. Dostoevsky. A Gentle Spirit (English. Кроткая)

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Часть текста: is still all right; I go up and look at her every minute; but tomorrow they will take her away - and how shall I be left alone? Now she is on the table in the drawing-room, they put two card tables together, the coffin will be here tomorrow - white, pure white "gros de Naples" - but that's not it. . . I keep walking about, trying to explain it to myself. I have been trying for the last six hours to get it clear, but still I can't think of it all as a whole. The fact is I walk to and fro, and to and fro. This is how it was. I will simply tell it in order. (Order!) Gentlemen, I am far from being a literary man and you will see that; but no matter, I'll tell it as I understand it myself. The horror of it for me is that I understand it all! It was, if you care to know, that is to take it from the beginning, that she used to come to me simply to pawn things, to pay for advertising in the VOICE to the effect that a governess was quite willing to travel, to give lessons at home, and so on, and so on. That was at the very beginning, and I, of course, made no difference between her and the others: "She comes," I thought, "like any one else," and so on. But afterwards I began to see a difference. She was such a slender, fair little thing, rather tall, always a little awkward with me, as though embarrassed (I fancy she was the same with all strangers, and in her eyes, of course, I was exactly like anybody else - that is, not as a pawnbroker but as a man). As soon as she received the money she would turn round at once and go away. And always in silence. Other women argue so, entreat, haggle for me to give them more; this one did not ask for more. . . . I believe I am muddling it up. Yes; I was struck first of all...

3. Dostoevsky. A Raw Youth (English. Подросток). Part III. Chapter XI

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Часть текста: true there was one dominant feeling, which mastered me completely and overwhelmed all the others, but. . . need I confess to it? Especially as I am not certain. . . . I ran to Lambert, beside myself of course. I positively scared Alphonsine and him for the first minute. I have always noticed that even the most profligate, most degraded Frenchmen are in their domestic life extremely given to a sort of bourgeois routine, a sort of very prosaic daily ceremonial of life established once and for ever. Lambert quickly realised, however, that something had happened, and was delighted that I had come to him at last, and that I was IN HIS CLUTCHES. He had been thinking of nothing else day and night! Oh, how badly he needed me! And behold now, when he had lost all hope, I had suddenly appeared of my own accord, and in such a frantic state--just in the state which suited him. "Lambert, wine!" I cried: "let's drink, let's have a jolly time. Alphonsine, where's your guitar?" I won't describe the scene, it's unnecessary. We drank, and I told him all about it, everything. He listened greedily. I openly of my own accord suggested a plot, a general flare-up. To begin with, we were by letter to ask Katerina Nikolaevna to come to us. . . . "That's possible," Lambert assented, gloating over every word I said. Secondly, we must send a copy of the "document" in full, that she might see at once that she was not being deceived. "That's right, that's what we must do!"...

4. Dostoevsky. Poor Folk (English. Бедные люди). Page 2

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Часть текста: into my locker, and extracting thence the manuscript which I send you herewith. I began it during the happier period of my life, and have continued it at intervals since. So often have you asked me about my former existence--about my mother, about Pokrovski, about my sojourn with Anna Thedorovna, about my more recent misfortunes; so often have you expressed an earnest desire to read the manuscript in which (God knows why) I have recorded certain incidents of my life, that I feel no doubt but that the sending of it will give you sincere pleasure. Yet somehow I feel depressed when I read it, for I seem now to have grown twice as old as I was when I penned its concluding lines. Ah, Makar Alexievitch, how weary I am--how this insomnia tortures me! Convalescence is indeed a hard thing to bear! B. D. ONE UP to the age of fourteen, when my father died, my childhood was the happiest period of my life. It began very far away from here- in the depths of the province of Tula, where my father filled the position of steward on the vast estates of the Prince P--. Our house was situated in one of the Prince's villages, and we lived a quiet, obscure, but happy, life. A gay little child was I--my one idea being ceaselessly to run about the fields and the woods and the garden. No one ever gave me a thought, for my father was always occupied with business affairs, and my mother with her housekeeping. Nor did any one ever give me any lessons--a circumstance for which I was not sorry. At earliest dawn I would hie me to a pond or a copse, or to a hay or a harvest field, where the sun could warm me, and I could roam wherever I liked, and scratch my hands with bushes, and tear my clothes in pieces. For this I used to get blamed afterwards, but I did not care. Had it befallen me never to...

5. Dostoevsky. The Possessed (English. Бесы). Part I. Chapter III. The sins of others

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Часть текста: was with me for it. He was so morbidly apprehensive that he expected that every one knew about it already, the whole town, and was afraid to show himself, not only at the club, but even in his circle of friends. He positively would not go out to take his constitutional till well after dusk, when it was quite dark. A week passed and he still did not know whether he were betrothed or not, and could not find out for a fact, however much he tried. He had not yet seen his future bride, and did not know whether she was to be his bride or not; did not, in fact, know whether there was anything serious in it at all. Varvara Petrovna, for some reason, resolutely refused to admit him to her presence. In answer to one of his first letters to her (and he wrote a great number of them) she begged him plainly to spare her all communications with him for a time, because she was very busy, and having a great deal of the utmost importance to communicate to him she was waiting for a more free moment to do so, and that she would let him know in time when he could come to see her. She declared she would send back his letters unopened, as they were “simple self-indulgence.” I read that letter myself—he showed it me. Yet all this harshness and indefiniteness were nothing compared with his chief anxiety. That anxiety tormented him to the...

6. Dostoevsky. The Insulted and Injured (English. Униженные и оскорбленные). Part III. Chapter IX

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Часть текста: character of a temporary residence, not the permanent established habitation of a wealthy family with all the style of the aristocracy, and all the whims that they take for necessities. There was a rumour that the countess was going in the summer to her ruined and mortgaged property in the province of Simbirsk, and that the prince would accompany her. I had heard this already, and wondered un- easily how Alyosha would behave when Katya went away with the countess, I had not vet spoken of this to Natasha. I was afraid to. But from some signs I had noticed, I fancied that she, too, knew of the rumour. But she was silent and suffered in secret. The countess gave me an excellent reception, held out her hand to me cordially, and repeated that she had long wished to, make my acquaintance. She made tea herself from a handsome silver samovar, round which we all sat, the prince, and I and another gentleman, elderly and extremely aristocratic wearing a star on his breast, somewhat starchy and diplomatic in his manners. This visitor seemed an object of great respect. The countess had not, since her return from abroad, had time that winter to make a large circle of acquaintances in Petersburg and to establish her position as she had hoped and reckoned upon doing. There was no one besides this gentleman, and no one else came in all the evening. I looked about for Katerina Fyodorovna; she was in the next room with Alyosha, but hearing that we had arrived she came in at once. The prince kissed her hand...

7. Dostoevsky. The Possessed (English. Бесы). Part II. Chapter II. Night (continued)

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Часть текста: strange to him when suddenly, almost at his elbow, he heard a deferentially familiar, but rather pleasant, voice, with a suave intonation, such as is affected by our over-refined tradespeople or befrizzled young shop assistants. “Will you kindly allow me, sir, to share your umbrella?” There actually was a figure that crept under his umbrella, or tried to appear to do so. The tramp was walking beside him, almost “feeling his elbow,” as the soldiers say. Slackening his pace, Nikolay Vsyevolodovitch bent down to look more closely, as far as he could, in the darkness. It was a short man, and seemed like an artisan who had been drinking; he was shabbily and scantily dressed; a cloth cap, soaked by the rain and with the brim half torn off, perched on his shaggy, curly head. He looked a thin, vigorous, swarthy man with dark hair; his eyes were large and must have been black, with a hard glitter and a yellow tinge in them, like a gipsy's; that could be divined even in the darkness. He was about forty, and was not drunk. “Do you know me?” asked Nikolay Vsyevolodovitch. “Mr. Stavrogin, Nikolay Vsyevolodovitch. You were pointed out to me at the station, when the train stopped last Sunday, though I had...

8. Dostoevsky. The Possessed (English. Бесы). Part III. Chapter I. The fete—first part

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Часть текста: Mihailovna attached to it. Alas! up to the last moment she was blind and had no inkling of the state of public feeling. No one believed at last that the festive day would pass without some tremendous scandal, some “catastrophe” as some people expressed it, rubbing their hands in anticipation. Many people, it is true, tried to assume a frowning and diplomatic countenance; but, speaking generally, every Russian is inordinately delighted at any public scandal and disorder. It is true that we did feel something much more serious than the mere craving for a scandal: there was a general feeling of irritation, a feeling of implacable resentment; every one seemed thoroughly disgusted with everything. A kind of bewildered cynicism, a forced, as it were, strained cynicism was predominant in every one. The only people who were free from bewilderment were the ladies, and they were clear on only one point:' their remorseless detestation of Yulia Mihailovna. Ladies of all shades of opinion were agreed in this. And she, poor dear, had no suspicion; up to the last hour she was persuaded that she was “surrounded by followers,” and that they were still “fanatically devoted to her.” I have already hinted that some low fellows of different sorts had made their appearance amongst us. In turbulent times of upheaval or transition low characters...

9. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part III. Book VIII. Mitya. Chapter 7.The First and Rightful Lover

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Часть текста: all right! Don't be afraid!" he exclaimed, "I -- there's nothing the matter," he turned suddenly to Grushenka, who had shrunk back in her chair towards Kalganov, and clasped his hand tightly. "I... I'm coming, too. I'm here till morning. Gentlemen, may I stay with you till morning? Only till morning, for the last time, in this same room?" So he finished, turning to the fat little man, with the pipe, sitting on the sofa. The latter removed his pipe from his lips with dignity and observed severely: "Panie,* we're here in private. There are other rooms." * Pan and Panie mean Mr. in Polish. Pani means Mrs., Panovie, gentlemen. "Why, it's you, Dmitri Fyodorovitch! What do you mean?" answered Kalgonov suddenly. "Sit down with us. How are you?" "Delighted to see you, dear... and precious fellow, I always thought a lot of you." Mitya responded, joyfully and eagerly, at once holding out his hand across the table. "Aie! How tight you squeeze! You've quite broken my fingers," laughed Kalganov. "He always squeezes like that, always," Grushenka put in gaily, with a timid smile, seeming suddenly convinced from Mitya's face that he was not going to make a scene. She was watching him with intense curiosity and still some uneasiness. She was impressed by something about him, and indeed the...

10. Dostoevsky. A Raw Youth (English. Подросток)

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Часть текста: with the same object with which other people write, that is, to win the praise of my readers. It has suddenly occurred to me to write out word for word all that has happened to me during this last year, simply from an inward impulse, because I am so impressed by all that has happened. I shall simply record the incidents, doing my utmost to exclude everything extraneous, especially all literary graces. The professional writer writes for thirty years, and is quite unable to say at the end why he has been writing for all that time. I am not a professional writer and don't want to be, and to drag forth into the literary market-place the inmost secrets of my soul and an artistic description of my feelings I should regard as indecent and contemptible. I foresee, however, with vexation, that it will be impossible to avoid describing feelings altogether and making reflections (even, perhaps, cheap ones), so corrupting is every sort of literary pursuit in its effect, even if it be undertaken only for one's own satisfaction. The reflections may indeed be very cheap, because what is of value for oneself may very well have no value for others. But all this is beside the mark. It will do for a preface, however. There will be nothing more of the sort. Let us get to work, though there is nothing more difficult than to begin upon some sorts of work--perhaps any sort of work. 2 I am beginning--or rather, I should like to begin--these notes from the 19th of September of last year, that is, from the very day I first met. . . But to explain so prematurely who it was I met before anything else is known would be cheap; in fact, I believe my tone is cheap. I vowed I would eschew all literary graces, and here at the first sentence I am being seduced by them. It seems as if writing sensibly can't be done simply by wanting to. I may remark, also, that I fancy writing is more difficult in Russian than in...

Поиск по творчеству и критикеCлово "KEPT"

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