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1. Dostoevsky. A Gentle Spirit (English. Кроткая)
Входимость: 4. Размер: 95кб.
2. Dostoevsky. The Possessed (English. Бесы). Part II. Chapter VI. Pyotr Stepanovitch is busy
Входимость: 4. Размер: 105кб.
3. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part IV. Book XI. Ivan. Chapter 8. The Third and Last Interview with Smerdyakov
Входимость: 4. Размер: 39кб.
4. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part five. Chapter Two
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5. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part four. Chapter Four
Входимость: 4. Размер: 39кб.
6. Dostoevsky. The Possessed (English. Бесы). Part II. Chapter II. Night (continued)
Входимость: 3. Размер: 58кб.
7. Предисловие к публикации перевода романа В. Гюго "Собор Парижской Богоматери"
Входимость: 3. Размер: 26кб.
8. Dostoevsky. The Insulted and Injured (English. Униженные и оскорбленные)
Входимость: 3. Размер: 26кб.
9. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part four. Chapter Five
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10. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part II. Book V. Pro and Contra. Chapter 5.The Grand Inquisitor
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11. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part two. Chapter Seven
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12. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part one. Chapter Three
Входимость: 3. Размер: 31кб.
13. Dostoevsky. The Possessed (English. Бесы). Part III. Chapter VII. Stepan Trofimovitch's last wandering
Входимость: 2. Размер: 83кб.
14. Dostoevsky. The Insulted and Injured (English. Униженные и оскорбленные). Part II. Chapter I
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15. Dostoevsky. Poor Folk (English. Бедные люди). Page 2
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16. Dostoevsky. The Crocodile (English. Крокодил)
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17. Dostoevsky. A Raw Youth (English. Подросток). Part III. Chapter XII
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18. Dostoevsky. The Possessed (English. Бесы). Part II. Chapter VII. A meeting
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19. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part I. Book III. The Sensualists. Chapter 4. The Confession of a Passionate Heart -- In Anecdote
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20. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part III. Book VIII. Mitya. Chapter 7.The First and Rightful Lover
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21. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part II. Book V. Pro and Contra. Chapter 6.For Awhile a Very Obscure One
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22. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part III. Book IX. The Preliminary Investigation. Chapter 6.The Prosecutor Catches Mitya
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23. Григорьев А. А.: Парадоксы органической критики
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24. Dostoevsky. A Raw Youth (English. Подросток). Part II. Chapter IX
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25. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part one. Chapter Two
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26. Dostoevsky. The Double (English. Двойник). Chapter VII
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27. Dostoevsky. A Raw Youth (English. Подросток). Part III. Chapter III
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28. Dostoevsky. The Possessed (English. Бесы). Part III. Chapter IV. The last resolution
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29. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part two. Chapter Six
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30. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part two. Chapter Three
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31. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part I. Book I. The History of a Family. Chapter 5. Elders
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32. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part five. Chapter Five
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33. Dostoevsky. A Raw Youth (English. Подросток). Part II. Chapter VI
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34. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part six. Chapter Five
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35. Dostoevsky. The Insulted and Injured (English. Униженные и оскорбленные). Part IV. Chapter II
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36. Dostoevsky. A Raw Youth (English. Подросток). Part II. Chapter IV
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37. Dostoevsky. The Insulted and Injured (English. Униженные и оскорбленные). Part IV. Chapter IX
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38. Dostoevsky. A Raw Youth (English. Подросток). Part III. Chapter IX
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39. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part II. Book VI. The Russian Monk. Chapter 1. Father Zossima and His Visitors
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40. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part III. Book VIII. Mitya. Chapter 1. Kuzma Samsonov
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41. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part one. Chapter Seven
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42. Dostoevsky. Poor Folk (English. Бедные люди). Page 6
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43. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part III. Book VIII. Mitya. Chapter 8. Delirium
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44. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part III. Book IX. The Preliminary Investigation. Chapter 4.The Second Ordeal
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45. Dostoevsky. A Raw Youth (English. Подросток). Part II. Chapter VIII
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46. Dostoevsky. The Insulted and Injured (English. Униженные и оскорбленные). Part II. Chapter VII
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47. Dostoevsky. The Possessed (English. Бесы). Part III. Chapter II. The end of the fete
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48. Dostoevsky. The Insulted and Injured (English. Униженные и оскорбленные). Part I. Chapter VII
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49. Dostoevsky. A Raw Youth (English. Подросток). Part III. Chapter II
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50. Dostoevsky. The Idiot (English. Идиот). Part IV. Chapter II
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1. Dostoevsky. A Gentle Spirit (English. Кроткая)
Входимость: 4. Размер: 95кб.
Часть текста: A Gentle Spirit (English. Кроткая) translated by Constance Garnett A Gentle Spirit A Fantastic Story by Fyodor Dostoevsky Part I Chapter I Who I was and who she was Oh, while she is still here, it is still all right; I go up and look at her every minute; but tomorrow they will take her away - and how shall I be left alone? Now she is on the table in the drawing-room, they put two card tables together, the coffin will be here tomorrow - white, pure white "gros de Naples" - but that's not it. . . I keep walking about, trying to explain it to myself. I have been trying for the last six hours to get it clear, but still I can't think of it all as a whole. The fact is I walk to and fro, and to and fro. This is how it was. I will simply tell it in order. (Order!) Gentlemen, I am far from being a literary man and you will see that; but no matter, I'll tell it as I understand it myself. The horror of it for me is that I understand it all! It was, if you care to know, that is to take it from the beginning, that she used to come to me simply to pawn things, to pay for advertising in the VOICE to the effect that a governess was quite willing to travel, to give lessons at home, and so on, and so on. That was at the very beginning, and I, of course, made no difference between her and the others: "She comes," I thought, "like any one else," and so on. But afterwards I began to see a difference. She was such a slender, fair little thing, rather tall, always a little awkward with me, as though embarrassed (I fancy she was the same with all strangers, and in her eyes, of course, I was exactly like anybody else - that is, not as a pawnbroker but as a man). As soon as she received the money she would turn round at once and go away. And always in silence. Other women argue so, entreat, haggle for me to give them more; this one did not ask for more. . . . I believe I am muddling it up. Yes; I was struck first of all by the things she...
2. Dostoevsky. The Possessed (English. Бесы). Part II. Chapter VI. Pyotr Stepanovitch is busy
Входимость: 4. Размер: 105кб.
Часть текста: VI. PYOTR STEPANOVITCH IS BUSY The date of the fete was definitely fixed, and Von Lembke became more and more depressed. He was full of strange and sinister forebodings, and this made Yulia Mihailovna seriously uneasy. Indeed, things were not altogether satisfactory. Our mild governor had left the affairs of the province a little out of gear; at the moment we were threatened with cholera; serious outbreaks of cattle plague had appeared in several places; fires were prevalent that summer in towns and villages; whilst among the peasantry foolish rumours of incendiarism grew stronger and stronger. Cases of robbery were twice as numerous as usual. But all this, of course, would have been perfectly ordinary had there been no other and more weighty reasons to disturb the equanimity of Audrey Antonovitch, who had till then been in good spirits. What struck Yulia Mihailovna most of all was that he became more silent and, strange to say, more secretive every day. Yet it was hard to imagine what he had to hide. It is true that he rarely opposed her and as a rule followed her lead without question. At her instigation, for instance, two or three regulations of a risky and hardly legal character were introduced with the object of strengthening the authority of the governor. There were several ominous instances of transgressions being condoned with the same end in view; persons who deserved to be sent to prison and Siberia were, solely because she insisted, recommended for promotion. Certain complaints and inquiries were deliberately and systematically ignored. All this came out later on. Not only did Lembke sign ...
3. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part IV. Book XI. Ivan. Chapter 8. The Third and Last Interview with Smerdyakov
Входимость: 4. Размер: 39кб.
Часть текста: came upon a solitary drunken little peasant. He was wearing a coarse and patched coat, and was walking in zigzags, grumbling and swearing to himself. Then suddenly he would begin singing in a husky drunken voice: Ach, Vanka's gone to Petersburg; I won't wait till he comes back. But he broke off every time at the second line and began swearing again; then he would begin the same song again. Ivan felt an intense hatred for him before he had thought about him at all. Suddenly he realised his presence and felt an irresistible impulse to knock him down. At that moment they met, and the peasant with a violent lurch fell full tilt against Ivan, who pushed him back furiously. The peasant went flying backwards and fell like a log on the frozen ground. He uttered one plaintive "O -- oh!" and then was silent. Ivan stepped up to him. He was lying on his back, without movement or consciousness. "He will be frozen," thought Ivan, and he went on his way to Smerdyakov's. In the passage, Marya Kondratyevna, who ran out to open the door with a candle in her hand, whispered that Smerdyakov was very ill; "It's not that he's laid up, but he seems not himself, and he even told us to take the tea away; he wouldn't have any." "Why, does he make a row?" asked Ivan coarsely. "Oh dear no, quite the contrary, he's very quiet. Only please don't talk to him too long," Marya Kondratyevna begged him. Ivan opened the door and stepped into the room. It was over-heated as before, but there were changes in the ...
4. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part five. Chapter Two
Входимость: 4. Размер: 30кб.
Часть текста: to spend their last savings on some traditional social ceremony, simply in order to do "like other people," and not to "be looked down upon." It is very probable, too, that Katerina Ivanovna longed on this occasion, at the moment when she seemed to be abandoned by every one, to show those "wretched contemptible lodgers" that she knew "how to do things, how to entertain" and that she had been brought up "in a genteel, she might almost say aristocratic colonel's family" and had not been meant for sweeping floors and washing the children's rags at night. Even the poorest and most broken-spirited people are sometimes liable to these paroxysms of pride and vanity which take the form of an irresistible nervous craving. And Katerina Ivanovna was not broken-spirited; she might have been killed by circumstance, but her spirit could not have been broken, that is, she could not have been intimidated, her will could not be crushed. Moreover Sonia had said with good reason that her mind was unhinged. She could not be said to be insane, but for a year past she had been so harassed that her mind might well be overstrained. The later stages of consumption are apt, doctors tell us, to affect the intellect. There was no great variety of wines, nor was there Madeira; but wine there was. There was vodka, rum and Lisbon wine, all of the poorest quality but in sufficient quantity. Besides the traditional rice and honey, there were three or four dishes, one of which consisted of pancakes, all prepared in Amalia Ivanovna's kitchen. Two samovars were boiling, that tea and punch might be offered after dinner. Katerina Ivanovna had herself seen to purchasing the provisions, with the help of one of the lodgers, an unfortunate little Pole who had somehow been stranded at Madame Lippevechsel's. He promptly put himself at Katerina Ivanovna's disposal and had been all that...
5. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part four. Chapter Four
Входимость: 4. Размер: 39кб.
Часть текста: of Kapernaumov, the tailor. Having found in the corner of the courtyard the entrance to the dark and narrow staircase, he mounted to the second floor and came out into a gallery that ran round the whole second storey over the yard. While he was wandering in the darkness, uncertain where to turn for Kapernaumov's door, a door opened three paces from him; he mechanically took hold of it. "Who is there?" a woman's voice asked uneasily. "It's I... come to see you," answered Raskolnikov and he walked into the tiny entry. On a broken chair stood a candle in a battered copper candlestick. "It's you! Good heavens!" cried Sonia weakly and she stood rooted to the spot. "Which is your room? This way?" and Raskolnikov, trying not to look at her, hastened in. A minute later Sonia, too, came in with the candle, set down the candlestick and, completely disconcerted, stood before him inexpressibly agitated and apparently frightened by his unexpected visit. The colour rushed suddenly to her pale face and tears came into her eyes... She felt sick and ashamed and happy, too.... Raskolnikov turned away quickly and sat on a chair by the table. He scanned the room in a rapid glance. It was a large but exceeding low-pitched room, the only one let by the Kapernaumovs, to whose rooms a closed door led in the wall on the left. In the opposite side on the...
6. Dostoevsky. The Possessed (English. Бесы). Part II. Chapter II. Night (continued)
Входимость: 3. Размер: 58кб.
Часть текста: He was absorbed in something quite different, and looked round with surprise when suddenly, waking up from a profound reverie, he found himself almost in the middle of one long, wet, floating bridge. There was not a soul to be seen, so that it seemed strange to him when suddenly, almost at his elbow, he heard a deferentially familiar, but rather pleasant, voice, with a suave intonation, such as is affected by our over-refined tradespeople or befrizzled young shop assistants. “Will you kindly allow me, sir, to share your umbrella?” There actually was a figure that crept under his umbrella, or tried to appear to do so. The tramp was walking beside him, almost “feeling his elbow,” as the soldiers say. Slackening his pace, Nikolay Vsyevolodovitch bent down to look more closely, as far as he could, in the darkness. It was a short man, and seemed like an artisan who had been drinking; he was shabbily and scantily dressed; a cloth cap, soaked by the rain and with the brim half torn off, perched on his shaggy, curly head. He looked a thin, vigorous, swarthy man with dark hair; his eyes were large and must have been black, with a hard glitter and a yellow tinge in them, like a gipsy's; that could be divined even in the darkness. He was about forty, and was not drunk. “Do you know me?” asked Nikolay Vsyevolodovitch. “Mr. Stavrogin, Nikolay Vsyevolodovitch. You were pointed out to me at the...
7. Предисловие к публикации перевода романа В. Гюго "Собор Парижской Богоматери"
Входимость: 3. Размер: 26кб.
Часть текста: и гражданин выказал столько таланта, выразил основную мысль своей поэзии в такой художественной полноте, что весь свет облетело его произведение, все прочли его, и чарующее впечатление романа полное и всеобщее. Давно уже догадались, что не глупой карикатурной формулой, приведенной нами выше, характеризуется мысль Виктора Гюго. Его мысль есть основная мысль всего искусства девятнадцатого столетия, и этой мысли Виктор Гюго как художник был чуть ли не первым провозвестником. Это мысль христианская и высоконравственная, формула ее — восстановление погибшего человека, задавленного несправедливо гнетом обстоятельств, застоя веков и общественных предрассудков. Эта мысль — оправдание униженных и всеми отринутых парий общества. Конечно, аллегория немыслима в таком художественном произведении, как например «Notre Dame de Paris». Но кому не придет в голову, что Квазимодо есть олицетворение пригнетенного и презираемого средневекового народа французского, глухого и обезображенного, одаренного только страшной физической силой, но в котором просыпается наконец любовь и жажда справедливости, а вместе с ними и сознание своей правды и еще непочатых, бесконечных сил своих. Виктор Гюго...
8. Dostoevsky. The Insulted and Injured (English. Униженные и оскорбленные)
Входимость: 3. Размер: 26кб.
Часть текста: they should be written than actually writing them. And this really is not from laziness. Why is it? I had been feeling unwell all day, and towards sunset I felt really very ill. Something like a fever set in. Moreover, I had been all day long on my legs and was tired. Towards evening, just before it got dark, I was walking along the Voznesensky Prospect. I love the March sun in Petersburg, especially at sunset, in clear frosty weather, of course. The whole street suddenly glitters, bathed in brilliant light. All the houses seem suddenly, as it were, to sparkle. Their grey, yellow, and dirty- green hues for an instant lose all their gloominess, it is as though there were a sudden clearness in one's soul, as though one were startled, or as though someone had nudged one with his elbow. There is a new outlook, a new train of thought.... It is wonderful what one ray of sunshine can do for the soul of man! But the ray of sunshine had died away; the frost grew sharper, and began to nip one's nose: the twilight deepened; gas flared from the shops. As I reached Muller's, the confectioner's, I suddenly stood stock-still and began staring at that side of the street, as though I had a presentiment that something extra- ordinary was just going to happen to me ; and at that very instant I saw, on the opposite side of the street, the old man with his dog. I remember quite well that I felt an unpleasant sensation clutch at my heart, and I could not myself have told what that sensation was. I am not a mystic. I scarcely believe in presentiments and divinings, yet I have, as probably most people have, had some rather inexplicable experiences in my life. For ...
9. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part four. Chapter Five
Входимость: 3. Размер: 42кб.
Часть текста: name in to Porfiry Petrovitch, he was surprised at being kept waiting so long: it was at least ten minutes before he was summoned. He had expected that they would pounce upon him. But he stood in the waiting-room, and people, who apparently had nothing to do with him, were continually passing to and fro before him. In the next room which looked like an office, several clerks were sitting writing and obviously they had no notion who or what Raskolnikov might be. He looked uneasily and suspiciously about him to see whether there was not some guard, some mysterious watch being kept on him to prevent his escape. But there was nothing of the sort: he saw only the faces of clerks absorbed in petty details, then other people, no one seemed to have any concern with him. He might go where he liked for them. The conviction grew stronger in him that if that enigmatic man of yesterday, that phantom sprung out of the earth, had seen everything, they would not have let him stand and wait like that. And would they have waited till he elected to appear at eleven? Either the man had not yet given information, or... or simply he knew nothing, had seen nothing (and how could he have seen anything?) and so all that had happened to him the day before was again a...
10. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part II. Book V. Pro and Contra. Chapter 5.The Grand Inquisitor
Входимость: 3. Размер: 48кб.
Часть текста: Part II. Book V. Pro and Contra. Chapter 5.The Grand Inquisitor Chapter 5 The Grand Inquisitor "EVEN this must have a preface -- that is, a literary preface," laughed Ivan, "and I am a poor hand at making one. You see, my action takes place in the sixteenth century, and at that time, as you probably learnt at school, it was customary in poetry to bring down heavenly powers on earth. Not to speak of Dante, in France, clerks, as well as the monks in the monasteries, used to give regular performances in which the Madonna, the saints, the angels, Christ, and God Himself were brought on the stage. In those days it was done in all simplicity. In Victor Hugo's Notre Dame de Paris an edifying and gratuitous spectacle was provided for the people in the Hotel de Ville of Paris in the reign of Louis XI in honour of the birth of the dauphin. It was called Le bon jugement de la tres sainte et gracieuse Vierge Marie, and she appears herself on the stage and pronounces her bon jugement. Similar plays, chiefly from the Old Testament, were occasionally performed in Moscow too, up to the times of Peter the Great. But besides plays there were all sorts of legends and ballads scattered about the world, in which the saints and angels and all the powers of Heaven took ...