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Часть текста: running into the street to enjoy the view of the house, and every time he did so the rent to be demanded from the future tenant went up with a bound. This country villa pleased the prince very much in his state of physical and mental exhaustion. On the day that they left for Pavlofsk, that is the day after his attack, he appeared almost well, though in reality he felt very far from it. The faces of those around him for the last three days had made a pleasant impression. He was pleased to see, not only Colia, who had become his inseparable companion, but Lebedeff himself and all the family, except the nephew, who had left the house. He was also glad to receive a visit from General Ivolgin, before leaving St. Petersburg. It was getting late when the party arrived at Pavlofsk, but several people called to see the prince, and assembled in the verandah. Gania was the first to arrive. He had grown so pale and thin that the prince could hardly recognize him. Then came Varia and Ptitsin, who were...
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Часть текста: very, very glad to have met you, my boy." "Really? And I'm not compromising you by my. . . 'unconventional' appearance? But there's no need to ask that. It's not a great matter; I always remember what a jolly chap you were, old Vanya. Do you remember you took a thrashing for me? You held your tongue and didn't give me away, and, instead of being grateful, I jeered at you for a week afterwards. You're a blessed innocent! Glad to see you, my dear soul!" (We kissed each other.) "How many years I've been pining in solitude - 'From morn till night, from dark till light but I've not forgotten old times. They're not easy to forget. But what have you been doing, what have you been doing?" "I? Why, I'm pining in solitude, too." He gave me a long look, full of the deep feeling of a man slightly inebriated; though he was a very good-natured fellow at any time. "No, Vanya, your case is not like mine," he brought out at last in a tragic tone. "I've read it, Vanya, you know, I've read it, I've read it! ... But I say, let us have a good talk! Are you in a hurry?" "I am in a hurry, and I must confess I'm very much upset about something. I'll tell you what's better. Where do you live?" "I'll tell you. But that's not better; shall I tell you what is better?" "Why, what?" "Why, this, do you see?" and he pointed out to me a sign a few yards from where we were standing. "You see, confec- tioner's and restaurant;...
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Часть текста: in order to see after some business connected with the receipt of his unexpected fortune. It was said that there were other reasons for his hurried departure; but as to this, and as to his movements in Moscow, and as to his prolonged absence from St. Petersburg, we are able to give very little information. The prince was away for six months, and even those who were most interested in his destiny were able to pick up very little news about him all that while. True, certain rumours did reach his friends, but these were both strange and rare, and each one contradicted the last. Of course the Epanchin family was much interested in his movements, though he had not had time to bid them farewell before his departure. The general, however, had had an opportunity of seeing him once or twice since the eventful evening, and had spoken very seriously with him; but though he had seen the prince, as I say, he told his family nothing about the circumstance. In fact, for a month or so after his departure it was considered not the thing to mention the prince's name in the Epanchin household. Only Mrs. Epanchin, at the commencement of this period, had announced that she had been "cruelly mistaken in the prince!" and a day or two after, she had added, evidently alluding to him, but not mentioning his name, that it was an unalterable characteristic of hers to be mistaken in people. Then once more, ten days later, after some passage of arms with one of her daughters, she had remarked sententiously. "We have had enough of mistakes. I shall be more careful in future!" However, it was impossible to avoid remarking that there was some sense of oppression in the household--something unspoken, but felt; something strained. All the members of the family wore frowning looks. The general was unusually busy; his family...
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Часть текста: // Достоевский и современность. Новгород, 1988. С. 9-11. 4. Альми ИЛ. О художественно-идеологическом смысле главы "Черт. Кошмар Ивана Федоровича" // Достоевский и современность. Новгород, 1992. Ч. 2. С. 1-4. 5. Альми ИЛ. Об одной из глав романа "Братья Карамазовы" ("Черт. Кошмар Ивана Федоровича") // Достоевский и мировая культура. М., 1996. № 7. С. 4-17. То же // Альми ИЛ. Статьи о поэзии и прозе. Владимир, 1999. Кн. 2. С. 105-120. 6. Альми ИЛ. Роль стихотворной вставки в системе идеологического романа Достоевского // Альми И. Л. Статьи о поэзии и прозе. Владимир, 1999. Кн. 2. С. 170-188. 7. Альми ИЛ. Поэтика образов праведников в поздних романах Достоевского: (Пафос умиления и характер его воплощения в фигурах странника Макара и старца Зосимы) // Достоевский: Материалы и исследования. СПб., 2000. Т. 15. С. 264-272. То же // Альми И. Л. Статьи о поэзии и прозе. Владимир, 1999. Кн. 2. С. 121-131. 8. Артемьева СВ. Случаи цитирования Ф. М. Достоевским Откровения Иоанна Богослова // Достоевский. Дополнения к комментарию / Под ред. Т. А. Касаткиной. М., 2005. 9. Архипова А. В. К истории одной интерпретации (Достоевский и Толстой) // Достоевский и современность. Новгород, 1988. С. 21-23. 10. Альтман М. С. Еще об одном прототипе Федора Павловича Карамазова // Вопр. лит. 1970, № 3. С. 252-254. 11. Альтман М. С. Достоевский: По вехам имен. Саратов: Изд-во Сарат. ун-та. 1975. 12. Бабович М. Поэма "Великий инквизитор" // Рус. лит. 1984. № 2. С. 74-93. 13. Багно В. Е. К источникам поэмы "Великий инквизитор" // Достоевский: Материалы и исследования. Л., 1985. Т. 6. С....