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Часть текста: peasant. He was wearing a coarse and patched coat, and was walking in zigzags, grumbling and swearing to himself. Then suddenly he would begin singing in a husky drunken voice: Ach, Vanka's gone to Petersburg; I won't wait till he comes back. But he broke off every time at the second line and began swearing again; then he would begin the same song again. Ivan felt an intense hatred for him before he had thought about him at all. Suddenly he realised his presence and felt an irresistible impulse to knock him down. At that moment they met, and the peasant with a violent lurch fell full tilt against Ivan, who pushed him back furiously. The peasant went flying backwards and fell like a log on the frozen ground. He uttered one plaintive "O -- oh!" and then was silent. Ivan stepped up to him. He was lying on his back, without movement or consciousness. "He will be frozen," thought Ivan, and he went on his way to Smerdyakov's. In the passage, Marya Kondratyevna, who ran out to open the door with a candle in her hand, whispered that Smerdyakov was very ill; "It's not that he's laid up, but he seems not himself, and he even told us to take the tea away; he wouldn't have any." "Why, does he make a row?" asked Ivan coarsely. "Oh dear no, quite the...
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Часть текста: you had understood what my heart was craving for. Yes, I perceived that a corner of the curtain in your window had been looped up and fastened to the cornice as I had suggested should be done; and it seemed to me that your dear face was glimmering at the window, and that you were looking at me from out of the darkness of your room, and that you were thinking of me. Yet how vexed I felt that I could not distinguish your sweet face clearly! For there was a time when you and I could see one another without any difficulty at all. Ah me, but old age is not always a blessing, my beloved one! At this very moment everything is standing awry to my eyes, for a man needs only to work late overnight in his writing of something or other for, in the morning, his eyes to be red, and the tears to be gushing from them in a way that makes him ashamed to be seen before strangers. However, I was able to picture to myself your beaming smile, my angel--your kind, bright smile; and in my heart there lurked just such a feeling as on the occasion when I first kissed you, my little Barbara. Do you remember that, my darling? Yet somehow you seemed to be threatening me with your tiny finger. Was it so, little wanton? You must write and tell me about it in your next letter. But what think you of the plan of the curtain, Barbara? It is a charming one, is it not? ...
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Часть текста: threatening her, and in what way did he mean to revenge himself on her, I asked myself every minute, and I was distracted by suppositions of all sorts. I came at last to the conclusion that his menaces were not empty talk, not mere bluster, and that as long as she was living with Alyosha, the prince might really bring about much unpleasantness for her. He was petty, vindic- tive, malicious, and calculating, I reflected. It would be difficult for him to forget an insult and to let pass any chance of avenging it. He had in any case brought out one point, and had expressed himself pretty clearly on that point : he insisted absolutely on Alyosha's breaking off his connexion with Natasha, and was expecting me to prepare her for the approaching separation, and so to prepare her that there should be "no scenes, no idyllic nonsense, no Schillerism." Of course, what he was most solicitous for was that Alyosha should remain on good terms with him, and should still consider him an affectionate father. This was very necessary to enable him the more conveniently to get control of Katya's money. And so it was my task to prepare Natasha for the approaching separation. But I noticed a great change in Natasha; there was not a trace now of her old frankness with me; in fact, she seemed to have become ...
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Часть текста: Lie down a little," she said as soon as we got into the room, "you're tired, you know; it's no joke running about so far, and it's too much after an illness; lie down, darling, lie down. And we'll go out of the room for a little, we won't get in her way; let her have a sleep." And she signed to me to go into the kitchen with her. But Nellie didn't lie down, she sat down on the sofa and hid her face in her hands. We went into the other room, and Alexandra Semyonovna told me briefly what had happened. Afterwards I heard about it more in detail. This is how it had been. Going out of the flat a couple of hours before my return and leaving the note for me, Nellie had run first to the old doctor's. She had managed to find out his address beforehand. The doctor told me that he was absolutely petrified when he saw her, and "could not believe his eyes" all the while she was there. "I can't believe it even now," he added, as he finished his story "and I never shall believe it." And yet Nellie actually had been at his house. He had been sitting quietly in the armchair in his study in his dressing-gown, drinking his coffee, when she ran in and threw herself on his neck before he had time to realize it. She was crying, she embraced and kissed him, kissed his hands, and earnestly though incoherently begged him to let her stay with him, declaring that she wouldn't and couldn't live with me any longer, and that's why she had left me; that she was un- happy; that she wouldn't laugh at him again or talk about new dresses, but would behave well and learn her lessons, that she would learn to "wash and get up his shirt-front" (probably she had thought over her whole speech on the way or perhaps even before), and that, in fact, she would be obedient and would take as many powders as he liked every day; and that as for her saying she wanted to marry him that had only been ...
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Часть текста: well, as compared with his condition the day before, but he was still pale, listless, and sombre. He looked like a wounded man or one who has undergone some terrible physical suffering. His brows were knitted, his lips compressed, his eyes feverish. He spoke little and reluctantly, as though performing a duty, and there was a restlessness in his movements. He only wanted a sling on his arm or a bandage on his finger to complete the impression of a man with a painful abscess or a broken arm. The pale, sombre face lighted up for a moment when his mother and sister entered, but this only gave it a look of more intense suffering, in place of its listless dejection. The light soon died away, but the look of suffering remained, and Zossimov, watching and studying his patient with all the zest of a young doctor beginning to practise, noticed in him no joy at the arrival of his mother and sister, but a sort of bitter, hidden determination to bear another hour or two of inevitable torture. He saw later that almost every word of the following conversation seemed to touch on some sore place and irritate it. But at the same time he marvelled at the power of controlling himself and hiding his feelings in a patient who the previous day had, like a monomaniac, fallen into a frenzy at the slightest word. "Yes, I see myself now that I am almost well," said Raskolnikov, giving his mother and sister a kiss of welcome which made Pulcheria Alexandrovna radiant at once. "And I don't say this as I did yesterday," he said addressing Razumihin, with a friendly pressure of his hand. "Yes, indeed, I am quite surprised at him to-day," began Zossimov, much delighted at the ...
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Часть текста: and all the brain he had into that speech. And poor Ippolit Kirillovitch unexpectedly revealed that at least some feeling for the public welfare and "the eternal question" lay concealed in him. Where his speech really excelled was in its sincerity. He genuinely believed in the prisoner's guilt; he was accusing him not as an official duty only, and in calling for vengeance he quivered with a genuine passion "for the security of society." Even the ladies in thee audience, though they remained hostile to Ippolit Kirillovitch, admitted that he made an extraordinary impression on them. He began in a breaking voice, but it soon gained strength and filled the court to the end of his speech. But as soon as he had finished, he almost fainted. "Gentlemen of the jury," began the prosecutor, "this case has made a stir throughout Russia. But what is there to wonder at, what is there so peculiarly horrifying in it for us? We are so accustomed to such crimes! That's what's so horrible, that such dark deeds have ceased to horrify us. What ought to horrify us is that we are so accustomed to it, and not this or that isolated crime. What are the causes of our indifference, our lukewarm attitude to such deeds, to such signs of the times, ominous of an unenviable future? Is it our cynicism, is it the premature exhaustion of intellect and imagination in a society that is sinking into decay, in spite of its youth? Is it that our moral principles are shattered to their foundations, or is it, perhaps, a complete ...
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Часть текста: (English. Преступление и наказание). Part one. Chapter Three Chapter Three HE WAKED up late next day after a broken sleep. But his sleep had not refreshed him; he waked up bilious, irritable, ill-tempered, and looked with hatred at his room. It was a tiny cupboard of a room about six paces in length. It had a poverty-stricken appearance with its dusty yellow paper peeling off the walls, and it was so low-pitched that a man of more than average height was ill at ease in it and felt every moment that he would knock his head against the ceiling. The furniture was in keeping with the room: there were three old chairs, rather rickety; a painted table in the corner on which lay a few manuscripts and books; the dust that lay thick upon them showed that they had been long untouched. A big clumsy sofa occupied almost the whole of one wall and half the floor space of the room; it was once covered with chintz, but was now in rags and served Raskolnikov as a bed. Often he went to sleep on it, as he was, without undressing, without sheets, wrapped in his old student's overcoat, with his head on one little pillow, under which he heaped up all the linen he had, clean and dirty, by way of a bolster. A little table stood in front of the sofa. It would have been difficult to sink to a lower ebb of disorder, but to Raskolnikov in his present state of mind this was positively agreeable. He had got completely away from every one, like a tortoise in its shell, and even the sight of the servant girl who had to wait upon him and looked sometimes into his...
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Часть текста: doing my utmost to exclude everything extraneous, especially all literary graces. The professional writer writes for thirty years, and is quite unable to say at the end why he has been writing for all that time. I am not a professional writer and don't want to be, and to drag forth into the literary market-place the inmost secrets of my soul and an artistic description of my feelings I should regard as indecent and contemptible. I foresee, however, with vexation, that it will be impossible to avoid describing feelings altogether and making reflections (even, perhaps, cheap ones), so corrupting is every sort of literary pursuit in its effect, even if it be undertaken only for one's own satisfaction. The reflections may indeed be very cheap, because what is of value for oneself may very well have no value for others. But all this is beside the mark. It will do for a preface, however. There will be nothing more of the sort. Let us get to work, though there is nothing more difficult than to begin upon some sorts of work--perhaps any sort of work. 2 I am beginning--or rather, I should like to begin--these notes from the 19th of September of last year, that is, from the very day I first met. . . But to explain so prematurely who it was I met before anything else is known would be cheap; in fact, I believe my tone is cheap. I vowed I would eschew all literary graces, and here at the first sentence I am being seduced by them. It seems...