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Часть текста: don't know, prince," I answered, hesitating, "I never eat supper." "Well, of course, we'll have a talk, too, over supper," he added, looking intently and slyly into my face. There was no misunderstanding! "He means to speak out," I thought; "and that's just what I want." I agreed. "That's settled, then. To B. 's, in Great Morskaya." "A restaurant?" I asked with some hesitation. "Yes, why not? I don't often have supper at home. Surely you won't refuse to be my guest?" "But I've told you already that I never take supper." "But once in a way doesn't matter; especially as I'm inviting you. . ." Which meant he would pay for me. I am certain that he added that intentionally. I allowed myself to be taken, but made up my mind to pay for myself in the restaurant. We arrived. The prince engaged a private room, and with the taste of a connois- seur selected two or three dishes. They were expensive and so was the bottle of delicate wine which he ordered. All this was beyond my means. I looked at the bill of fare and ordered half a woodcock and a glass of Lafitte. The prince looked at this. "You won't sup with me! Why, this is positively ridiculous! Pardon, mon ami, but this is. . . revolting punctiliousness. It's the paltriest vanity. There's almost a suspicion of class feeling about this. I don't mind betting that's it. I assure you you're offending me." But I stuck to my point. "But, as you like," he added. "I won't insist. . . . Tell me, Ivan Petrovitch, may I speak to you as a...

2. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part IV. Book XI. Ivan. Chapter 10."It Was He Who Said That"

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Часть текста: shaking like a leaf. When Alyosha ran with her to the cottage, he found Smerdyakov still hanging. On the table lay a note: "I destroy my life of my own will and desire, so as to throw no blame on anyone." Alyosha left the note on the table and went straight to the police captain and told him all about it. "And from him I've come straight to you," said Alyosha, in conclusion, looking intently into Ivan's face. He had not taken his eyes off him while he told his story, as though struck by something in his expression. "Brother," he cried suddenly, "you must be terribly ill. You look and don't seem to understand what I tell you." "It's a good thing you came," said Ivan, as though brooding, and not hearing Alyosha's exclamation. "I knew he had hanged himself." "From whom?" "I don't know. But I knew. Did I know? Yes, he told me. He told me so just now." Ivan stood in the middle of the room, and still spoke in the same brooding tone, looking at the ground. "Who is he?" asked Alyosha, involuntarily looking round. "He's slipped away." Ivan raised his head and smiled softly. "He was afraid of you, of a dove like you. You are a...

3. Dostoevsky. Poor Folk (English. Бедные люди). Page 4

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Часть текста: my first sight of her, seeing that only once before had I been to the theatre. In those days I lived cheek by jowl with a party of five young men--a most noisy crew- and one night I accompanied them, willy-nilly, to the theatre, though I held myself decently aloof from their doings, and only assisted them for company's sake. How those fellows talked to me of this actress! Every night when the theatre was open, the entire band of them (they always seemed to possess the requisite money) would betake themselves to that place of entertainment, where they ascended to the gallery, and clapped their hands, and repeatedly recalled the actress in question. In fact, they went simply mad over her. Even after we had returned home they would give me no rest, but would go on talking about her all night, and calling her their Glasha, and declaring themselves to be in love with "the canary-bird of their hearts." My defenseless self, too, they would plague about the woman, for I was as young as they. What a figure I must have cut with them on the fourth tier of the gallery! Yet, I never got a sight of more than just a corner of the curtain, but had to content myself with listening. She had a fine, resounding, mellow voice like a nightingale's, and we all of us used to clap our hands loudly, and to shout at the top of our lungs. In short, we came very near to being ejected. On the first occasion I went home walking as in a mist, with a single rouble left in my pocket, and an interval of ten clear days confronting me before next pay-day. Yet, what think you, dearest? The very next day, before going to work, I called at a French perfumer's, and spent my whole remaining ...

4. Dostoevsky. Poor Folk (English. Бедные люди). Page 6

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Часть текста: люди). Page 6 September 10th. MY BELOVED MAKAR ALEXIEVITCH,--I am unspeakably rejoiced at your good fortune, and fully appreciate the kindness of your superior. Now, take a rest from your cares. Only do not AGAIN spend money to no advantage. Live as quietly and as frugally as possible, and from today begin always to set aside something, lest misfortune again overtake you. Do not, for God's sake, worry yourself-- Thedora and I will get on somehow. Why have you sent me so much money? I really do not need it--what I had already would have been quite sufficient. True, I shall soon be needing further funds if I am to leave these lodgings, but Thedora is hoping before long to receive repayment of an old debt. Of course, at least TWENTY roubles will have to be set aside for indispensable requirements, but theremainder shall be returned to you. Pray take care of it, Makar Alexievitch. Now, goodbye. May your life continue peacefully, and may you preserve your health and spirits. I would have written to you at greater length...

5. Dostoevsky. Poor Folk (English. Бедные люди). Page 3

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Часть текста: to relieve it. But why should I write this to you? It is difficult for my heart to express itself; still more difficult for it to forego self- expression. Yet possibly you may understand me. Tears and laughter! . . . How good you are, Makar Alexievitch! Yesterday you looked into my eyes as though you could read in them all that I was feeling--as though you were rejoicing at my happiness. Whether it were a group of shrubs or an alleyway or a vista of water that we were passing, you would halt before me, and stand gazing at my face as though you were showing me possessions of your own. It told me how kind is your nature, and I love you for it. Today I am again unwell, for yesterday I wetted my feet, and took a chill. Thedora also is unwell; both of us are ailing. Do not forget me. Come and see me as often as you can. --Your own, BARBARA ALEXIEVNA. June 12th. MY DEAREST BARBARA ALEXIEVNA--I had supposed that you meant to describe our doings of the other day in verse; yet from you there has arrived only a single sheet of writing....

6. Dostoevsky. A Raw Youth (English. Подросток). Part II. Chapter II

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Часть текста: that Prince Sergay was absolutely enchanted with him at first and still more with the things he said. He fell into positive raptures about him, and several times expressed his feelings to me. Sometimes when he was alone with me he exclaimed about himself, almost with despair, that he was "so ill-educated, that he was on the wrong track! . . ." Oh, we were still so friendly then! . . . I kept trying to impress Versilov with Prince Sergay's good points only, and excused his defects though I saw them myself; but Versilov listened in silence, or smiled. "If he has faults he has at least as many virtues as defects!" I once exclaimed to Versilov when I was alone with him. "Goodness, how you flatter him!" he said laughing. "How do I flatter him?" I said, not understanding. "As many virtues! Why he must be a saint if he has as many virtues as defects!" But, of course, that was not his opinion. In general he avoided speaking of Prince Sergay at that time, as he did indeed of everything real, but of the prince particularly. I suspected, even then, that he went to see Prince Sergay without me, and that they were on rather peculiar terms, but I did not go into that. I was not jealous either at his talking to him more seriously than to me, more positively, so to speak, with less mockery; I was so happy at the time that I was actually pleased at it. I explained it too by Prince Sergay's being of rather limited intelligence, and so being fond of verbal exactitude; some jests he absolutely failed to see. But of late he had, as it were, begun to emancipate himself. His feelings for Versilov seemed beginning to change. Versilov with his delicate perception noticed it. I may mention at this point that Prince Sergay's attitude to me, too, became different at the same time, rather too obviously, in fact. Only the lifeless forms of our warm earlier ...

7. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part II. Book V. Pro and Contra. Chapter 5.The Grand Inquisitor

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Часть текста: used to give regular performances in which the Madonna, the saints, the angels, Christ, and God Himself were brought on the stage. In those days it was done in all simplicity. In Victor Hugo's Notre Dame de Paris an edifying and gratuitous spectacle was provided for the people in the Hotel de Ville of Paris in the reign of Louis XI in honour of the birth of the dauphin. It was called Le bon jugement de la tres sainte et gracieuse Vierge Marie, and she appears herself on the stage and pronounces her bon jugement. Similar plays, chiefly from the Old Testament, were occasionally performed in Moscow too, up to the times of Peter the Great. But besides plays there were all sorts of legends and ballads scattered about the world, in which the saints and angels and all the powers of Heaven took part when required. In our monasteries the monks busied themselves in translating, copying, and even composing such poems -- and even under the Tatars. There is, for instance, one such poem (of course, from the Greek), The Wanderings of Our Lady through Hell, with descriptions as bold as Dante's. Our Lady visits hell, and the Archangel Michael leads her through the torments. She sees the sinners and their punishment. There she sees among others one noteworthy set of sinners in a burning lake; some of them sink to the bottom of the lake so that they can't swim out, and 'these God forgets' -- an expression of extraordinary depth and force. And so Our Lady, shocked and weeping, falls before the throne of God and begs for mercy for all in hell -- for all she has seen there, indiscriminately. Her conversation with God is immensely interesting. She beseeches Him, she will not desist, and when God points to...

8. Dostoevsky. The Gambler (English. Игрок). Chapter IV

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Часть текста: in the gaming-rooms. What an arrogant, greedy crowd it was! I pressed forward towards the middle of the room until I had secured a seat at a croupier's elbow. Then I began to play in timid fashion, venturing only twenty or thirty gulden at a time. Meanwhile, I observed and took notes. It seemed to me that calculation was superfluous, and by no means possessed of the importance which certain other players attached to it, even though they sat with ruled papers in their hands, whereon they set down the coups, calculated the chances, reckoned, staked, and--lost exactly as we more simple mortals did who played without any reckoning at all. However, I deduced from the scene one conclusion which seemed to me reliable --namely, that in the flow of fortuitous chances there is, if not a system, at all events a sort of order. This, of course, is a very strange thing. For instance, after a dozen middle figures there would always occur a dozen or so outer ones. Suppose the ball stopped twice at a dozen outer figures; it would then pass to a dozen of the first ones, and then, again, to a dozen of the middle ciphers, and fall upon them three or four times, and then revert to a dozen outers; whence, after another couple of rounds, the ball would again pass to the first figures, strike upon them once, and then return thrice to the middle series--continuing thus for an hour and a half, or two hours. One, three, two: one, three, two. It was all very curious. Again, for the whole of a day or a morning the red would alternate with the black, but...

9. Dostoevsky. The Brothers Karamazov (English. Братья Карамазовы). Part I. Book II. An Unfortunate Gathering. Chapter 7. A Young Man Bent on a Career

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Часть текста: though considering something. "Go, my dear boy, go. Porfiry is enough for me. Make haste, you are needed there, go and wait at the Father Superior's table." "Let me stay here," Alyosha entreated. "You are more needed there. There is no peace there. You will wait, and be of service. If evil spirits rise up, repeat a prayer. And remember, my son" -- the elder liked to call him that -- "this is not the place for you in the future. When it is God's will to call me, leave the monastery. Go away for good." Alyosha started. "What is it? This is not your place for the time. I bless you for great service in the world. Yours will be a long pilgrimage. And you will have to take a wife, too. You will have to bear all before you come back. There will be much to do. But I don't doubt of you, and so I send you forth. Christ is with you. Do not abandon Him and He will not abandon you. You will see great sorrow, and in that sorrow you will be happy. This is my last message to you: in sorrow seek happiness. Work, work unceasingly. Remember my words, for although I shall talk with you again, not only my days but my hours are numbered." Alyosha's face again betrayed strong emotion. The corners of his mouth quivered. "What is it again?" Father Zossima asked, smiling gently. "The worldly may follow the dead with tears, but here we rejoice over the father who is departing. We rejoice and pray for him. Leave me, I must pray. Go, and make haste. Be near your brothers. And not near one only, but near both." Father Zossima raised his hand to...

10. Dostoevsky. A Raw Youth (English. Подросток). Part II. Chapter I

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Часть текста: Versilov had once tried to recommend me, had not only made me a whole suit, but had already been rejected as not good enough. I already had suits made by other, superior, tailors, of a better class, and I even ran up bills with them. I had an account, too, at a celebrated restaurant, but I was still a little nervous there and paid on the spot whenever I had money, though I knew it was mauvais ton, and that I was compromising myself by doing so. A French barber on the Nevsky Prospect was on familiar terms with me, and told me anecdotes as he dressed my hair. And I must confess I practised my French on him. Though I know French, and fairly well indeed, yet I'm afraid of beginning to speak it in grand society; and I dare say my accent is far from Parisian. I have a smart coachman, Matvey, with a smart turn-out, and he is always at my service when I send for him; he has a pale sorrel horse, a fast trotter (I don't like greys). Everything is not perfect, however: it's the 15th of November and has been wintry weather for the last three days, and my fur coat is an old one, lined with raccoon, that once was Versilov's. It wouldn't fetch more than twenty-five roubles. I must get a new one, and my pocket is empty, and I must, besides, have...

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