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Cлово "YARD"

Часть текста: had never seen me. In her eyes I was an "envoy from Versilov," and she was convinced at that time, and for long afterwards, that Versilov held her fate in his hands and could ruin her at once if he wanted to, by means of a certain document; she suspected that, anyway. It was a duel to the death. And yet--I was not offended! It was an insult, but I did not feel it. How should I? I was positively glad of it; though I had come here to hate her I felt I was beginning to love her. I don't know whether the spider perhaps does not hate the fly he has marked and is snaring. Dear little fly! It seems to me that the victim is loved, or at least may be loved. Here I love my enemy; I am delighted, for instance, that she is so beautiful. I am delighted, madam, that you are so haughty and majestic. If you were meeker it would not be so delightful. You have spat on me-- and I am triumphant. If you were literally to spit in my face I should really not be angry because you--are my victim; MINE and not HIS. How fascinating was that idea! Yes, the secret consciousness of power is more insupportably delightful than open domination. If I were a millionaire I believe I should take pleasure in going about in the oldest clothes and being taken for a destitute man, almost a beggar, being jostled and despised. The consciousness of the truth would be enough for me. That is how I should interpret my thoughts and happiness, and much of what I was feeling that day. I will only add that in what I have just written there is too much levity; in reality my feeling was deeper and more modest. Perhaps even now I am more modest in myself than in my words and deeds--God grant it may be so! Perhaps I have done amiss in sitting down to write at all. Infinitely more remains hidden within than comes out in words. Your thought, even...

2. Dostoevsky. The Double (English. Двойник). Chapter XIII

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Часть текста: "But all this does not matter for the time," our hero repeated, still staunch and not downhearted, wiping from his face the cold drops that streamed in all directions from the brim of his round hat, which was so soaked that it could hold no more water. Adding that all this was nothing so far, our hero tried to sit on a rather thick clump of wood, which was lying near a heap of logs in Olsufy Ivanovitch's yard. Of course, it was no good thinking of Spanish serenades or silken ladders, but it was quite necessary to think of a modest corner, snug and private, if not altogether warm. He felt greatly tempted, we may mention in passing, by that corner in the back entry of Olsufy Ivanovitch's flat in which he had once, almost at the beginning of this true story, stood for two hours between a cupboard and an old screen among all sorts of domestic odds and ends and useless litter. The fact is that Mr. Golyadkin had been standing waiting for two whole hours on this occasion in Olsufy Ivanovitch's yard. But in regard to that modest and snug little corner there were certain drawbacks which had not...

3. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part five. Chapter Five

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Часть текста: and Punishment (English. Преступление и наказание). Part five. Chapter Five Chapter Five LEBEZIATNIKOV looked perturbed. "I've come to you, Sofya Semyonovna," he began. "Excuse me... I thought I should find you," he said, addressing Raskolnikov suddenly, "that is, I didn't mean anything... of that sort... But I just thought... Katerina Ivanovna has gone out of her mind," he blurted out suddenly, turning from Raskolnikov to Sonia. Sonia screamed. "At least it seems so. But... we don't know what to do, you see! She came back- she seems to have been turned out somewhere, perhaps beaten.... So it seems at least,... She had run to your father's former chief, she didn't find him at home: he was dining at some other general's.... Only fancy, she rushed off there, to the other general's, and, imagine, she was so persistent that she managed to get the chief to see her, had him fetched out from dinner, it seems. You can imagine what happened. She was turned out, of course; but, according to her own story, she abused him and threw something at him. One may well believe it.... How it is she wasn't taken up, I can't understand! Now she is telling every one, including Amalia Ivanovna; but it's difficult to understand her, she is screaming and flinging herself about.... Oh yes, she shouts that since every one has abandoned her, she will take the children and go into the street with a barrel-organ, and the children will sing and dance, and she too, and collect money, and will go every day under the general's window... 'to let every one see well-born children, whose father was an official, begging in the street. ' She keeps beating the children and they are all crying. She is teaching Lida to sing 'My Village,' the boy to dance, Polenka the same....

4. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part two. Chapter Six

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Часть текста: sudden calm. His movements were precise and definite; a firm purpose was evident in them. "To-day, to-day," he muttered to himself. He understood that he was still weak, but his intense spiritual concentration gave him strength and self-confidence. He hoped, moreover, that he would not fall down in the street. When he had dressed in entirely new clothes, he looked at the money lying on the table, and after a moment's thought put it in his pocket. It was twenty-five roubles. He took also all the copper change from the ten roubles spent by Razumihin on the clothes. Then he softly unlatched the door, went out, slipped downstairs and glanced in at the open kitchen door. Nastasya was standing with her back to him, blowing up the landlady's samovar. She heard nothing. Who would have dreamed of his going out, indeed? A minute later he was in the street. It was nearly eight o'clock, the sun was setting. It was as stifling as before, but he eagerly drank in the stinking, dusty town air. His head felt rather dizzy; a sort of savage energy gleamed suddenly in his feverish eyes and his wasted, pale and yellow face. He did not know and did not think where he was going, he had one thought only "that all this must be ended to-day, once for all, immediately; that he would not return home without it, because he would not go on living like that." How, with what to make an end? He had not an idea about it, he did not even want to think of it. He drove away thought; thought tortured him. All he knew, all he felt was that everything must be changed "one way or another," he repeated with desperate and immovable self-confidence and determination. From old...

5. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part one. Chapter Six

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Часть текста: reduced to poverty were selling their household goods and clothes, all women's things. As the things would have fetched little in the market, they were looking for a dealer. This was Lizaveta's business. She undertook such jobs and was frequently employed, as she was very honest and always fixed a fair price and stuck to it. She spoke as a rule little and, as we have said already, she was very submissive and timid. But Raskolnikov had become superstitious of late. The traces of superstition remained in him long after, and were almost ineradicable. And in all this he was always afterwards disposed to see something strange and mysterious, as it were the presence of some peculiar influences and coincidences. In the previous winter a student he knew called Pokorev, who had left for Harkov, had chanced in conversation to give him the address of Alyona Ivanovna, the old pawnbroker, in case he might want to pawn anything. For a long while he did not go to her, for he had lessons and managed to get along somehow. Six weeks ago he had remembered the address; he had two articles that could be pawned: his father's old silver watch and a little gold ring with three red stones, a present from his sister at parting. He decided to take the ring. When he found the old woman he had felt an insurmountable repulsion for her at the first glance, though he knew nothing special about her. He got two roubles from her and went into a miserable little tavern on his way home. He asked for tea, sat down and sank into deep thought. A strange idea was pecking at his brain like a chicken in the egg, and very, very much absorbed him. Almost beside him at the next table there was sitting a...

6. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part one. Chapter Seven

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Часть текста: the door and drew it towards him to prevent the old woman from attempting to shut it again. Seeing this she did not pull the door back, but she did not let go the handle so that he almost dragged her out with it on to the stairs. Seeing that she was standing in the doorway not allowing him to pass, he advanced straight upon her. She stepped back in alarm, tried to say something, but seemed unable to speak and stared with open eyes at him. "Good evening, Alyona Ivanovna," he began, trying to speak easily, but his voice would not obey him, it broke and shook. "I have come... I have brought something... but we'd better come in... to the light...." And leaving her, he passed straight into the room uninvited. The old woman ran after him; her tongue was unloosed. "Good heavens! What it is? Who is it? What do you want?" "Why, Alyona Ivanovna, you know me... Raskolnikov... here, I brought you the pledge I promised the other day..." and he held out the pledge. The old woman glanced for a moment at the pledge, but at once stared in the eyes of her uninvited visitor. She looked intently, maliciously and mistrustfully. A minute passed; he even fancied something like a sneer in her eyes, as though she had already guessed everything. He felt that he was losing his head, that he was almost frightened, so frightened that if she were to look like that and not say a word for another half minute, he thought he would have run away from her. "Why do you look at me as though you did not know me?" he said suddenly, also with malice. "Take it if you like, if not I'll go elsewhere, I am in a hurry." He had not even thought of saying this, but it was suddenly said of itself. The old woman recovered herself, and her visitor's resolute...

7. Dostoevsky. The Insulted and Injured (English. Униженные и оскорбленные). Part II. Chapter IV

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Часть текста: the books she had an earthenware cup in her hand. Going on a little further she went in at the gateway of an un- attractive-looking house. It was an old stone house of two storeys, painted a dirty-yellow colour, and not large. In one of the three windows on the ground floor there was a miniature red coffin - as a sign that a working coffin-maker lived there. The windows of the upper storey were extremely small and perfectly square with dingy-green broken panes, through which I caught a glimpse of pink cotton curtains. I crossed the road, went up to the house, and read on an iron plate over the gate, "Mme. Bubnov." But I had hardly deciphered the inscription when suddenly I heard a piercing female scream, followed by shouts of abuse in Mme. Bubnov's yard. I peeped through the gate. On the wooden steps of the house stood a stout woman, dressed like a working woman with a kerchief on her head, and a green shawl. Her face was of a revolting purplish colour. Her little, puffy, bloodshot eves were gleaming...

8. Dostoevsky. The Idiot (English. Идиот). Part IV. Chapter XI

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Часть текста: XI Chapter XI AN hour later he was in St. Petersburg, and by ten o'clock he had rung the bell at Rogojin's. He had gone to the front door, and was kept waiting a long while before anyone came. At last the door of old Mrs. Rogojin's flat was opened, and an aged servant appeared. "Parfen Semionovitch is not at home," she announced from the doorway. "Whom do you want?" "Parfen Semionovitch." "He is not in." The old woman examined the prince from head to foot with great curiosity. "At all events tell me whether he slept at home last night, and whether he came alone?" The old woman continued to stare at him, but said nothing. "Was not Nastasia Philipovna here with him, yesterday evening?" "And, pray, who are you yourself?" "Prince Lef Nicolaievitch Muishkin; he knows me well." "He is not at home." The woman lowered her eyes. "And Nastasia Philipovna?" "I know nothing about it." "Stop a minute! When will he come back?" "I don't know that either." The door was shut with these words, and the old woman disappeared. The prince decided to come back within an hour. Passing out of the house, he met the porter. "Is Parfen Semionovitch at home?" he asked. "Yes." "Why did they tell me he was not at home, then?" "Where did they tell you so,--at his door?" "No, at his mother's flat; I rang at Parfen Semionovitch's door and nobody came." "Well, he may have gone out. I can't tell. Sometimes he takes the keys with him, and leaves the rooms empty for two or three days." "Do you know for certain that he was at home last night?" "Yes, he was." "Was Nastasia Philipovna with him?" "I don't know; she doesn't come often. I think I should have known if she had come." The prince went out deep in...

9. Dostoevsky. Crime and Punishment (English. Преступление и наказание). Part two. Chapter Seven

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Часть текста: and disfigured. He was evidently badly injured. "Merciful heaven!" wailed the coachman, "what more could I do? If I'd been driving fast or had not shouted to him, but I was going quietly, not in a hurry. Every one could see I was going along just like everybody else. A drunken man can't walk straight, we all know.... I saw him crossing the street, staggering and almost falling. I shouted again and a second and a third time, then I held the horses in, but he fell straight under their feet! Either he did it on purpose or he was very tipsy.... The horses are young and ready to take fright... they started, he screamed... that made them worse. That's how it happened!" "That's just how it was," a voice in the crowd confirmed. "He shouted, that's true, he shouted three times," another voice declared. "Three times it was, we all heard it," shouted a third. But the coachman was not very much distressed and frightened. It was evident that the carriage belonged to a rich and important person who was awaiting it somewhere; the police, of course, were in no little anxiety to avoid upsetting his arrangements. All they had to do was to take the injured man to the police station and the hospital. No one knew his name. Meanwhile Raskolnikov had squeezed in and stooped closer over him. The lantern suddenly lighted up the unfortunate man's face. He recognised him. "I know him! I know him!" he shouted, pushing to the front. "It's a government clerk retired from the service, Marmeladov. He lives close by in Kozel's house.... Make haste for a doctor! I will pay, see." He pulled money out of his pocket and showed it to the policeman. He was in violent agitation. The police were glad that they had found out who the man was. Raskolnikov gave his own name and address, and, as earnestly as if it had been his father, he besought the police to carry the unconscious Marmeladov to...

10. Dostoevsky. The Possessed (English. Бесы). Part III. Chapter V. A wanderer

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Часть текста: (that is, three hours before the fire had broken out) he had been at Marya Timofyevna's. He went in the morning to look at the corpses, but as far as I know gave no evidence of any sort that morning. Meanwhile, towards the end of the day there was a perfect tempest in his soul, and. . . I think I can say with certainty that there was a moment at dusk when he wanted to get up, go out and tell everything. What that everything was, no one but he could say. Of course he would have achieved nothing, and would have simply betrayed himself. He had no proofs whatever with which to convict the perpetrators of the crime, and, indeed, he had nothing but vague conjectures to go upon, though to him they amounted to complete certainty. But he was ready to ruin himself if he could only “crush the scoundrels”—his own words. Pyotr Stepanovitch had guessed fairly correctly at this impulse in him, and he knew himself that he was risking a great deal in putting off the execution of his new awful...

Поиск по творчеству и критикеCлово "YARD"

Поиск по творчеству и критике
Cлово "YARD"