Поиск по творчеству и критике
Cлово "YON"
Входимость: 1. Размер: 96кб.
Входимость: 1. Размер: 81кб.
Входимость: 1. Размер: 105кб.
Входимость: 1. Размер: 113кб.
Примерный текст на первых найденных страницах
Входимость: 1. Размер: 96кб.
Часть текста: time eight years old, and his frivolous father, General Stavrogin, was already living apart from Varvara Petrovna, so that the child grew up entirely in his mother's care. To do Stepan Trofimovitch justice, he knew how to win his pupil's heart. The whole secret of this lay in the fact that he was a child himself. I was not there in those days, and he continually felt the want of a real friend. He did not hesitate to make a friend of this little creature as soon as he had grown a little older. It somehow came to pass quite naturally that there seemed to be no discrepancy of age between them. More than once he awaked his ten- or eleven-year-old friend at night, simply to pour out his wounded feelings and weep before him, or to tell him some family secret, without realising that this was an outrageous proceeding. They threw themselves into each other's arms and wept. The boy knew that his mother loved him very much, but I doubt whether he cared much for her. She talked little to him and did not often interfere with him, but he was always morbidly conscious of her intent, searching eyes fixed upon him. Yet the mother confided his whole instruction and moral education to Stepan Trofimovitch. At that time her faith in him was unshaken. One...
Входимость: 1. Размер: 81кб.
Часть текста: В. И. Немирович-Данченко писал К. С. Станиславскому: "Если хорошо угадать, почувствовать психологию автора вообще важно, то угадать, почувствовать ее у романиста -- самая первая необходимость. Это едва ли не самое главное различие драматурга от романиста, что последний дает не только рисунок, но и "круги", "приспособления" <...> Иногда,-- как у Достоевского,-- они стали избиты, истрепаны театрами; тогда надо заменить их другими, не выходя из "внутренних образов", определенно данных романистом" 1 . Это замечание во многом снимает ту скрытую полемику с "иллюстративным" 2 подходом к тексту, которую уже в следующем, 1911 г., открыл Жак Копо французской постановкой романа. "Братья Карамазовы" в "Театре искусств" (премьера 6 апреля) в инсценировке Жака Копо и Жана Круэ сыграли в истории "театра Достоевского" во Франции не меньшую роль, чем постановки Художественного театра в России. Спектакль неоднократно возобновлялся самим Копо, в марте 1913 г. и в ноябре 1921 г. в театре "Старая голубятня" и в 1917 г. на сцене театра "Гаррик" (США). Сценарий был использован также Альбером Камю в 1937 г. в театре "Экип" (Алжир) и Андре Барсаком в "Ателье" в 1945 г. -- будущими инсценировщиками романов "Бесы" и...
Входимость: 1. Размер: 105кб.
Часть текста: the equanimity of Audrey Antonovitch, who had till then been in good spirits. What struck Yulia Mihailovna most of all was that he became more silent and, strange to say, more secretive every day. Yet it was hard to imagine what he had to hide. It is true that he rarely opposed her and as a rule followed her lead without question. At her instigation, for instance, two or three regulations of a risky and hardly legal character were introduced with the object of strengthening the authority of the governor. There were several ominous instances of transgressions being condoned with the same end in view; persons who deserved to be sent to prison and Siberia were, solely because she insisted, recommended for promotion. Certain complaints and inquiries were deliberately and systematically ignored. All this came out later on. Not only did Lembke sign everything, but he did not even go into the question of the share taken by his wife in the execution of his duties. On the other hand, he began at...
Входимость: 1. Размер: 113кб.
Часть текста: SERPENT VARVARA PETROVNA rang the bell and threw herself into an easy chair by the window. “Sit here, my dear.” She motioned Marya Timofyevna to a seat in the middle of the room, by a large round table. “Stepan Trofimovitch, what is the meaning of this? See, see, look at this woman, what is the meaning of it?” “I... I...” faltered Stepan Trofimovitch. But a footman came in. “A cup of coffee at once, we must have it as quickly as possible! Keep the horses!” “ Mais, chere et excellente amie, dans quelle inquietude. . .” Stepan Trofimovitch exclaimed in a dying voice. “Ach! French! French! I can see at once that it's the highest society,” cried Marya Timofyevna, clapping her hands, ecstatically preparing herself to listen to a conversation in French. Varvara Petrovna stared at her almost in dismay. We all sat in silence, waiting to see how it would end. Shatov did not lift up his head, and Stepan Trofimovitch was overwhelmed with confusion as though it were all his fault; the perspiration stood out on his temples. I glanced at Liza (she was sitting in the corner almost beside Shatov). Her eyes darted keenly from Varvara Petrovna to the cripple and back again; her lips were drawn into a smile, but not a pleasant one. Varvara Petrovna saw that smile. Meanwhile Marya Timofyevna was absolutely transported. With evident enjoyment and without a trace of embarrassment she stared at Varvara Petrovna's beautiful drawing-room—the furniture, the carpets, the pictures on the walls, the old-fashioned painted ceiling, the...